A couple of years ago, while on a trip to a city I’d wanted to visit in ages, I ended up with an extra night there due to a canceled flight. At least, I nominally had an extra night in town — but instead, I stayed in my hotel room because I’d just started reading Paul G. Tremblay‘s The Cabin at the End of the World — and there was no way I was going to put it down before I knew how it ended. Since then, I’ve sought out more of his work, impressed by both his command of dread and his ability to sustain narrative ambiguity across the space of a novel. Knock at the Cabin, an adaptation of the novel that first drew me to Tremblay’s work, is now in theaters, and provided the perfect backdrop to talk to him about his work, the movies, and the places they intersect.
Burning Down the (Haunted) House: On Alison Rumfitt’s “Tell Me I’m Worthless”
Who was the first storyteller to level up the haunted house? To put it another way: tales of houses haunted by restless spirits are unsettling enough. Who was the first person to see a haunted house as a place where existence itself could become malleable? As a concept, you can see wildly different manifestations of it in Mark Z. Danielewski’s novel House of Leaves and Dan Watters and Caspar Wijngaard’s comic book Home Sick Pilots. And then there’s Alison Rumfitt’s Tell Me I’m Worthless, which also nestles a kind of relentless, indescribable horror between the four walls of a home — but also finds a way to tap into some of the most urgent themes of the present moment.
Declines and Falls, and Their Literary Influence
Edward Gibbon is best-known for his The History of the Decline and Fall of the Roman Empire, a work so mammoth that its abridged edition is still a sizable doorstopper, abounding with information about the Roman Empire’s culture, systems of government, and rulers–both good and bad. And if that was all that Gibbon had featured, that would suffice to confirm its classic status. But there’s plenty more to consider in Gibbon’s book, both structurally and in terms of the vast influence it’s had on the centuries of work that followed.
A Shirley Jackson Primer
It’s now been over a century since Shirley Jackson was born, and her work continues to reveal new facets and delve into the substance of life and our anxieties–both quotidian and cosmic. In a 2017 essay for Nightmare Magazine, author John Langan makes a convincing case that Jackson’s influence on the horror genre remains underrated–and then examines the myriad ways in which her work echoes through a seemingly-disparate array of books written in the decades following her death.
Édouard Levé and Absence
Sometimes it’s the absent things that affect me most. But then, what does absence mean? As I write this, I’m alone in my apartment, surrounded by absence, and yet a whole array of nominally absent people, places, and things preoccupy my mind. Some are friends and family I spoke with yesterday; others are spaces that have long since been demolished. Maybe, then, this is the key: the line between presence and absence is no line at all. It’s a matter of perception, or of definition.
Skulls, Detectives, and the Texas Surreal: Robert Freeman Wexler on Writing “The Silverberg Business”
There’s a point early on in Robert Freeman Wexler‘s novel The Silverberg Business where you might have an idea of where things are heading. Protagonist Shannon is on the trail of a man who disappeared with money intended to benefit Jewish refugees in 1880s Texas. A detective, hot on the trail of an elusive target — it’s the stuff of classic private detective fiction, right? And then a group of skull-headed people show up and, as the saying goes, things get weird. After reading the novel, I was immediately intrigued and sought out Wexler to learn more about the book’s origins — and the music and art that helped inspire it.
Eleven Visions of Dystopia From Around the World
Dystopias can take many shapes. They can turn up in highly advanced societies and in places where widely available electricity is a distant memory for many. They can be a pervasive presence in the lives of their population, or they can be subtler, a haunting reminder of oppressive societal constraints. Here’s a look at eleven different dystopian novels from writers across the globe. They span a wide array of possible futures, and range in tone from the futuristic to the familiar. But all of them raise questions and alarms about the present moment, and how certain familiar tendencies circa now can evolve into something horrifying.
The Evolution of Music Writing
The nature of music writing over the years is one of constant change and evolution, one which the anthology Shake It Up: Great American Writing on Rock and Pop from Elvis to Jay-Z seems uniquely able to document. Editors Jonathan Lethem and Kevin Dettmar begin their introduction with a statement of purpose: “Fifty selections from fifty writers covering approximately fifty years of American rock and pop writing: it’s an elegant conceit, you’ve got to admit.” But a closer look at the work included in the anthology also tells a second story–one about how music has been and continues to be written about, and how music writing has evolved over the years.