There’s a long literary tradition of longform fiction set against the backdrop of someone on their deathbed. The Death of Ivan Ilyich is one of the lodestars here, for sure; I myself am partial to By Night in Chile for its haunting construction, both Satanic humblebrag and chastened confession. Max Porter’s latest novel, The Death of Francis Bacon, taps into that same dread-inducing momentum — the sense of a protagonist hurtling, depending on your (or their) perspective, into either the great beyond or complete nothingness.
Duncan Birmingham Offers His Own Take on Cult Fiction
Duncan Birmingham writes fiction about people at their wit’s end. Some of them have seen relationships implode; others have begun to glean the true shape of the world around them. Birmingham’s characters make terrible decisions and are prone to excess; the stories in which they appear blend humor and dread in unexpected proportions. Birmingham’s collection The Cult In My Garage is an excellent distillation of his skills as a writer, offering a window into a simultaneously beguiling and terrifying vision of California. I spoke with him about the book’s origins, the role of the pandemic in its genesis, and its celebrity cameo.
A Subtle Apocalypse: Notes on adrienne maree brown’s “Grievers”
Consider the apocalyptic writ small. While some novels and stories have taken the idea of a world-ending or world-changing event as a way to use the largest possible canvas, other writers have taken the opportunity to zero in on one specific element of society. Both Laura van den Berg’s Find Me and Karen Russell’s Sleep Donation have embraced this route, which — not unlike some of J.G. Ballard’s work — offers a chilling vision of an imploding society.
Matthew Specktor on the Secret Narratives of Los Angeles
No matter what your preferred artistic discipline is, odds are good that Los Angeles has contributed in a significant way to them. In his new book Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California, Matthew Specktor traces both his own history with the city in question and ventures into the lives of some of its most underrated chroniclers. Its blend of cultural commentary and memoir is never less than beguiling, and I talked with Specktor via email to get a better sense of how it all came about.
Visceral Mythology and Transformational Songs: A Conversation With Jeanne Thornton and Alex DiFrancesco
Alex DiFrancesco’s collection Transmutation abounds with moments of intimate revelation and transforming bodies. Jeanne Thornton’s novel Summer Fun draws inspiration from a legendary rock band and takes it to a wholly unexpected place. Both books are among the best I’ve read this year, and I chatted with both authors over Zoom one summer evening. The conversation covered a wide range of subjects — from pandemic coping mechanisms to the music of Tom Waits — and an edited version follows.
Did William Friedkin Direct 2021’s Most Urgent Movie in 2006?
The other night, I did something I’d been meaning to do for years: watch William Friedkin’s 2006 adaptation of Tracy Letts’s 1996 play Bug. That it had taken me so long remains a mystery to me: Friedkin is, after all, the director of The Exorcist. I’d seen Letts’s play August: Osage County on Broadway and loved it. And the film’s two leads were the always reliable Ashley Judd and Michael Shannon. It took me over a decade to watch the film, but in the end it might be that I saw it at exactly the right time.
The Secret History of Naples, Then and Now: An Interview With John Domini
One of the most challenging tasks for any writer is evoking the physicality of life using only words on a page. With his new book The Archeology of a Good Ragù: Discovering Naples, My Father and Myself, John Domini does exactly that. Simultaneously a concise history of Domini’s family, a portrait of contemporary Naples, and an exploration of the region’s food and art, the book seamlessly moves from one topic to the next, memorably evoking a holistic sense of the minutiae of life. Domini and I chatted via email about the long process of writing this book and how it connects to his other works.
“This Mode Can Serve as a Gateway Into a Deeper Honesty”: An Interview With Melissa Wiley
Few essayists blend the cerebral and the visceral the way that Melissa Wiley does in her work. Her latest collection, Skull Cathedral: A Vestigial Anatomy brings together a host of works inspired in various ways by vestigial organs. It builds on the work in her previous collection, Antlers in Space and Other Common Phenomena, which wrestles with mortality and humanity, along with the complexities of both. I spoke with Wiley to learn more about the genesis of both books and what’s next for her.