B.R. Yeager’s novel Negative Space is a coming-of-age book full of autumnal imagery and featuring a trio of narrators each struggling with complex issues within their own lives. In that, it is familiar. It’s also a novel in which the border between life and death is navigated with little explanation; where unsettling rituals spark paranoia and obsession; where certain familiar sights and sounds pull back to reveal horrors lurking on the other side. It’s not always the easiest of reads — due to both its structure and its subject matter — but it is deeply rewarding, in its own harrowing way. Reading it at a time when familiar routines are upended at a moment’s notice and the idea of a status quo seems like a luxurious illusion, it feels perfectly suited to this moment in history — a distillation of every emotion I’m feeling right now, in the form of a narrative both familiar and thoroughly unpredictable.
The Surreal Modernity of Amber Sparks: A Review of “And I Do Not Forgive You”
Say you’re a fiction writer and you’d like to allude to the communications technologies of the present moment. There are plenty of ways you can do this, from coming up with your own lightly-altered versions of real-world services to embracing an accurate picture of your smartphone’s suite of apps circa the moment you’re putting words on paper. The difficulty with the latter, though, is that the ups and downs of the tech world don’t always match up with the time it takes to get a book published; the way that Vine went from buzzed-about to deprecated in a relatively short period of time illustrates just how difficult of a juggling act this can be.
Uncanny Fiction in the Wake of Unspeakable Violence: On Natanya Ann Pulley’s “With Teeth”
At what point does fiction become horror fiction? Is there some immutable border, some checklist of elements to be tallied, that propels a particular story or novel out of the realm of the disconcerting and into that of the outright horrific? Certain notable collections, including Jac Jemc’s False Bingo and Amelia Gray’s Gutshot find a balance between deft narrative construction and something both ineffable and unspeakable. That’s the space in which Natanya Ann Pulley’s new collection With Teeth occupies as well: meticulously written, while all the while abounding with glimpses of the bizarre and brutal.
Afternoon Bites: Troy James Weaver, Windham Campbell Literary Prize, Michael Azzerad Interviewed, Glenn O’Brien, and More
In our afternoon reading: an interview with Troy James Weaver, thoughts on Hilary Leichter’s new novel, and more.
Literary Events Go Virtual in the Time of COVID-19
To be a part of the literary community over the last few weeks has involved seeing months’ worth of events rescheduled, canceled, or shifted online. In some cases, this has been due to precautions taken to prevent coronavirus infection; in others, it’s due to writers canceling book tours. The Loft’s Wordplay Festival is shifting from an in-person event to one that will take place in a host of online spaces, for instance. As writers, publishers, and event planners look out at this shifting landscape, a host of questions come to mind. If events aren’t feasible right now, are there alternatives? Are live-streamed readings and discussions the new normal when it comes to literary events? Is there a way to capture that same sense of community that the best literary events held in a physical space can accomplish?
A Visceral Trip Into History: A Review of Dexter Palmer’s “Mary Toft; or, The Rabbit Queen”
Three novels in to his career, I think it’s safe to say that Dexter Palmer’s work can be sorted alongside the likes of Rupert Thomson, Ali Smith, and David Mitchell — which is to say, of writers who essentially reinvent themselves from book to book. Palmer’s latest novel, Mary Toft; or, The Rabbit Queen, is set in 18th-century England. It’s as different from his previous novel, the heady time-travel novel Version Control, as Version Control was from its predecessor, the disquieting steampunk narrative The Dream of Perpetual Motion.
Dismantling Artistic Borders: On “Alfred Jarry: The Carnival of Being”
Throughout his life, Alfred Jarry rarely held still. His is a body of work which defies easy classification, even in its more granular forms. As a writer alone, Jarry’s writings include fiction, plays, essays, and philosophy — and his work as a writer only accounts for a fraction of the art created in his 34 years on this planet.
Literary Hauntings and Nameless Cities: An Interview With Amina Cain
The last time I talked with Amina Cain it was 2013 and the subject was her book Creature. Now, Cain has returned with a new book, Indelicacy — a novel about a woman’s artistic awakening amidst questions of art, intimacy, and class. It’s a difficult book to describe, because so much of its power stems from the manner in which Cain tells it story: what she keeps in, what she leaves out, and how she transforms the familiar into something almost fantastical. I talked with Cain about her new book and how she created it earlier this month.