This year brought with it a new album from How to Dress Well — I Am Toward You, the first album from Tom Krell’s musical project since 2018’s The Anteroom. (In the meantime, Krell’s earned his doctorate in philosophy.) With the new album out in the world for about a month, I chatted with Krell about the visual side of things, the artwork by Joshua James Clancy, and his thoughts on AI and generative technology.
Somehow it’s been 15 years since the publication of David Small’s graphic memoir Stitches. To call it a debut would be inaccurate; at that point, Small had already amassed a storied career as an illustrator of books for younger readers, including multiple collaborations with his wife, the writer Sarah Stewart. Stitches, the harrowing story of Small’s experience with cancer treatment and unexpected surgery during his teenage years, was a haunting work, one that immersed the reader in its creator’s body and mind during a turbulent period.
More horror fiction should have footnotes. Bennet Sims’s A Questionable Shape has forever connected the footnote to the concept of the undead, and I seem to recall a few turning up across John Langan’s nestled narratives. Matthew Cheney’s Changes in the Land features a few as well, which is understandable given that one of its characters is, in fact, an academic. “A horror novel with an academic at its core?” you may ask. “What’s so frightening about that?”
Nicole Haroutunian’s new novel, Choose This Now, wrestles with a lot of big themes in the subtlest of ways. This is a book about creative struggles, intimacy, and families both found and biological. Over the course of this book’s timeframe, its characters make decisions that are rewarding and emiently frustrating; they go to bizarre parties and embark on ill-concieved relationships. It’s an immersive work with the ebb and flow of life, and I chatted with its author about the project’s origins and her own experiences while writing it.
I’ve long been on record as an admirer of Kirsten Bakis’s first novel, the haunting Lives of the Monster Dogs. I’ve also long wondered what Bakis would do for an encore, and this year brings an answer with the release of her second novel King Nyx. In this tale, set a century ago, Bakis draws on the lives of Anna and Charles Fort, as Anna recounts a time when the couple was summoned to a mysterious estate in upstate New York. What does this have to do with the bespoke deity of Anna’s youth? Well, you’ll have to read that to find out — but rest assured that the resulting novel is a fascinating story abounding with mysteries, class conflict, and more than a little literary history. I caught up with Bakis to learn more about the book’s genesis
Since their formation in 2015, Brooklyn’s SAVAK have been on a tremendous run, releasing album after album of blistering garage-punk at an admirable pace. Their latest album, Flowers of Paradise, is a fantastic addition to their discography, blending a postpunk urgency with the sense of warmth that longtime musical compatriots can summon. I spoke with Sohrab Habibion and Michael Jaworski about the genesis of their new album, the rare book trade, and my inability to identify an EBow.
It’s been a busy year and change for Worriers‘ Lauren Denitzio. Their band has released two albums since the beginning of 2023: Warm Blanket and Trust Your Gut. Worriers is now on the road sharing bills with Alkaline Trio and Drug Church, and Denitzio’s excellent newsletter Get It Together is a go-to source for musings on the creative life and terrific musical recommendations. As Worriers makes their way across the country, I checked in with Denitzio about their latest albums, life in California, and tour reading.
Where, exactly, can you find the dividing line between a ghost story and a story about ghosts? In her new collection Here in the Night, Rebecca Turkewitz explores that fascinating boundary. There are moments that stray into the uncanny here, for sure, but Turkewitz also explores the effects of ghost stories and local folklore on her characters, leading to moments that illustrate just how tales of the uncanny can have similar effects to the uncanny itself. I spoke with her about her collection, her own experiences with folktales, and what’s next for her.