The first thing that caught my eye after opening Jeremy Haun’s Haunthology was the list of blurbs. About half of them came from comics creators I admire (Declan Shalvey! James Tynion IV!), while the other half came from horror writers whose work I dig (Laird Barron! John Langan!). Throw in an introduction by Nathan Ballingrud and you have something tailor-made to pique my interest.
I’m a longtime admirer of the music Matthew Robert Cooper has made, whether it’s as Eluvium or under his own name — or one of several other aliases and projects that have added to his impressive discography over the years. Eluvium’s new album (Whirring Marvels In) Consensus Reality represents something of a shift for Cooper, who was dealing with health issues that involved changing the way he wrote. I spoke with Cooper about the literary influences underlying this new album, his thoughts on music and technology, and what he’s been reading lately.
I’d been eager to read something new from Sarah Gerard ever since I finished their 2020 novel True Love. Imagine my happiness when, earlier this year, a package arrived at my apartment containing a new chapbook by Gerard, titled The Butter House. Have I mentioned that I’m a huge fan of single-story chapbooks? Short version: I am. And The Butter House, about a human couple living in Florida and the cats that surround them, is both an engaging read and part of what seems like a literary trend for 2023: humans imagining the lives of animals. I spoke with Gerard about the book’s origins and what sounds like a truly singular release party, among other topics.
In an era where nearly every detail about every piece of music recorded in the last couple of decades is widely available, what does it mean when an entire band’s body of work turns elusive? That’s the question at the heart of Aug Stone‘s new novel The Ballad of Buttery Cake Ass, the story of the search for the history of a cult early-80s band — and the reasons why their music went unheralded in their day. I spoke with Stone about the making of the novel, creating lengthy discographies for fictional artists, and the challenges of writing convincingly about nonexistent musicians.
Talking with David James Keaton about his sprawling, hard-to-describe books has become a semi-regular occurrence around these parts, and we wouldn’t have it any other way. His new novel Head Cleaner follows the staff of a video store as they find themselves on the verge of a bizarre discovery about physical media and experiencing a phenomenon that evokes time loops at their most paranoia-inducing. I chatted with Keaton about the novel’s origins, its ties to his other work, and movies that could change the world.
The setting of Cassandra Khaw’s new book The Salt Grows Heavy is one steeped in mythology and atmosphere. The landscape through which its central characters — a mermaid and a plague doctor — move is one that’s been through unspeakable trauma, and yet still has room to reveal new horrors. (One of those is a cult centered around resurrection.) I spoke with Khaw about the creation of this new book, how it relates to their other work, and what’s next.
This week brings with it the paperback release of one of my favorite novels of 2022: Benjamin Myers’s The Perfect Golden Circle. Set in 1989, the novel follows two men, Calvert and Redbone, as they embark on a Quixotic quest to create a series of detailed patterns across rural landscapes in England. Over the course of their novel, their efforts invoke an array of grand ideas, from the bond between two disparate people to the changing sociopolitical landscape around the duo. Plus: crop circles. I spoke with Myers about the origins of this novel, its relationship to the rest of his bibliography, and the role of music in his books.
