Gabriel Blackwell’s fiction rarely treads the same ground twice. He has a particular skill at finding ways to turn the margins of stories and genres into thrilling works on their own, whether that’s cosmic horror or the film Vertigo. The last year has seen the publication of two new collections of Blackwell’s short fiction: Babel and CORRECTION. Babel showcases Blackwell’s writing at its most nimble and at its most structurally innovative, while CORRECTION wrestles with contemporary life in unexpected and jarring ways. Taken together, they’re a welcome return from a talented writer. Blackwell answered a number of questions about the genesis of these stories and how they came together in these two volumes.
