Turning Music Into Prose: Katharine Coldiron On Her Florence and the Machine-Inspired Novel

Katharine Coldiron

Some novels take their cues from history; others, from the author’s own life. For her new novel Ceremonials, Katharine Coldiron opted for a very different muse: in this case, the Florence and the Machine album with the same title. The resulting work is an expansive and constantly-shifting piece of fiction, one in which desire and identity blur together in a world that feels both archetypal and realistic. I spoke with Coldiron about the genesis of her new book and the process of translating music into words.

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Six Ridiculous Questions: David James Keaton

David James Keaton

The guiding principle of Six Ridiculous Questions is that life is filled with ridiculousness. And questions. That only by giving in to these truths may we hope to slip the surly bonds of reality and attain the higher consciousness we all crave. (Eh, not really, but it sounded good there for a minute.) It’s just. Who knows? The ridiculousness and question bits, I guess. Why six? Assonance, baby, assonance.

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The Equipment is Spare & Draconian: An Interview With Andrew Weatherhead

Andrew Weatherhead

Judge a book by its title. It’s a good idea. I bought $50,000 because it’s called $50,000 (and because Publishing Genius never lets me down). Since I first opened the book and read it in one sitting, I haven’t been able to stop thinking about it. I read it again. And then a third time. And then I found myself walking to work thinking, Writing poems like invoicing a prior self, and then I stopped walking and whispered to myself, “That’s the best line I ever wrote.” But I didn’t write it. Andrew Weatherhead did. 

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Six Ridiculous Questions: Seb Doubinsky

Seb Doubinsky

The guiding principle of Six Ridiculous Questions is that life is filled with ridiculousness. And questions. That only by giving in to these truths may we hope to slip the surly bonds of reality and attain the higher consciousness we all crave. (Eh, not really, but it sounded good there for a minute.) It’s just. Who knows? The ridiculousness and question bits, I guess. Why six? Assonance, baby, assonance.

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“Music Felt For Us, Was Ecstatic For Us”: An Interview With Lars Iyer

Lars Iyer

Like a lot of my favorite books, I bought Spurious by Lars Iyer partially due to the cover design – two plastic bags hovering provocatively on the edge of a parking lot (Melville House can really do a good book cover). But, like with all of my favorite books, what was inside the book changed my life. This book (and the rest of the Spurious Trilogy – Exodus and Dogma) oozed a sticky, refreshing style that completely shook me. I quickly became obsessed – with the culmination of the staccato chapters, with the overbearing third-person presence of the shit-talking W., with the unending push behind every idea that propels every image to its bleak, (il)logical extensions. I also loved this book for the unique central characters and their obsessions – two academics in philosophy who acknowledge that “the corpse of the university floats face down in the water”, who are also then “poking it with sticks,” and, of course, who talk unendingly about Kafka and Joy Division.

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Lance Olsen and John Domini Talk About Cities as Fictions, Political Daymares, and Never Being at Home

Domini and Olsen covers

Lance Olsen and John Domini have followed each other’s work for years, sharing an attraction to the edges of the fictional enterprise, to experiment and risk. Olsen has many works of fiction and non-fiction, and his awards include the Guggenheim. Domini too has published widely, in all genres, and won an NEA Fellowship. Both have spent extended time abroad, Olsen in Germany, Domini in Italy. Not till now, however, did they share new titles with similar core concern— namely, a European city going through a radical change.  In Domini’s case, in his novel The Color Inside a Melon, this was contemporary Naples, over a single hectic week. Olsen’s latest, My Red Heaven, considers a June day in Berlin, in 1927. 

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Towards a Definition of Ecological Fiction: An Interview With Marian Womack

Marian Womack

My first time reading Marian Womack‘s work came via the collection Lost Objects, an unsettling array of speculative fiction informed by climate change in multiple unsettling ways. (I interviewed her about it in 2018.) This year will see the release of her novel, The Golden Key — but first, Womack has another literary project that she’s ushered into the world, an anthology co-edited with Gary Budden. This is An Invite to Eternity, which includes stories from Kristen Roupenian, Aliya Whiteley, and Naomi Booth. It’s also the first book from Calque Press, a new independent publisher. I talked with Womack about the anthology, the press, and the uncanny boundaries of ecological fiction.

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“I Just Like Creating Art”: An Interview With Troy James Weaver

Troy James Weaver

A Troy James Weaver story reminds me of when I want to eat at a Waffle House, by myself. Or go to DisneyLand, but just to walk around. He depicts the awareness of being alone in a crowded space better than any writer I know. Of the calculated, precise sentences of Édouard Levé or Gary Lutz, but with a humble radiance that seems ready to explode in a vicious hellfire at any moment, Selected Stories is the collection you run looking for because you left it in the corner booth at the 24-hr. diner just before the apocalypse. 

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