Adrian Van Young on the Uncanny Origins of “Midnight Self”

Adrian Van Young

I’ve long admired the writings of Adrian Van Young, and I’m happy to report that his new collection Midnight Self continues his trademark blend of visceral imagery, contemplative plotting, and occasional forays deep into the uncanny. This is a collection in which historical figures encounter bizarre figures and where a thrift-store find becomes something both truly alien and truly alienating. I caught up with Van Young to learn more about the book’s origins and to get to the bottom of some of the nightmare fuel that emerged from these tales.

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“I Hope People Keep Pushing Boundaries More and More”: An Interview With Jami Nakamura Lin

Photograph of Jami Nakamura Lin

Jami Nakamura Lin‘s speculative memoir, The Night Parade, breaks genre barriers by illuminating the author’s mental health narrative with Japanese ghost stories that parallel the horrors of her bipolar diagnosis. Lin uses this hybrid template to demonstrate how brain illnesses, thought to be aberrant, are connected to a shared storytelling practice. Lin and I met over Zoom, where we talked about mental health stigma, the media’s influence on mental illness, and her exciting contribution to the speculative nonfiction subgenre. Lin even shared an impromptu craft lesson with me—Hint: it involves colored markers, a table-sized sheet of paper, and plenty of floor space.

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Six Ridiculous Questions: William Brandon III

William Brandon III

The guiding principle of Six Ridiculous Questions is that life is filled with ridiculousness. And questions. That only by giving in to these truths may we hope to slip the surly bonds of reality and attain the higher consciousness we all crave. (Eh, not really, but it sounded good there for a minute.) It’s just. Who knows? The ridiculousness and question bits, I guess. Why six? Assonance, baby, assonance.

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Gold Dime’s Andrya Ambro on the Genesis of “No More Blue Skies”

Andrya Ambro of Gold Dime

I’ve been a fan of Gold Dime‘s music ever since I came across them playing at the 2014 edition of Basilica Soundscape. Do you enjoy your music intense and rhythmic yet pushing towards transcendent moments of bliss? Well then. The group’s third album, No More Blue Skies, arrived on the scene last month, and it pulls off the impressive feat of retaining the group’s core sound while also finding intriguing ways to expand it. I spoke with Gold Dime founder Andrya Ambro to learn more about the album — and the band’s recent tour.

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Writing Art About the Art of AI: An Interview With Sean Michaels

Sean Michaels

At this point, it feels safe to say that Sean Michaels is fond of big ideas in his work, whether he’s telling stories of starcrossed lovers during the Cold War or asking big questions about technology’s ability to create art. The latter concern is at the heart of Do You Remember Being Born?, in which an acclaimed late-career poet named Marian Ffarmer is offered an unexpected and lucrative job: collaborating with an algorithm on a new literary work. Michaels’s novel never goes where you’d expect, and in doing so raises a host of bold and thrilling questions about creativity, identity, and intelligence. I chatted with him about the novel’s origins and the challenges of writing a book that echoes emerging technology.

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Sonny Smith on Making the Video For Sonny and the Sunsets’ “Shadows”

telephone pole shadows

There’s a bespoke feeling to “Shadows,” the new video from Sonny and the Sunsets’ new album Self Awareness Through Macrame. There’s a reason for that — namely, that the video consists of a series of 180 paintings by the band’s Sonny Smith. The whole record abounds with bittersweet and understated pop numbers, indicative of Smith’s impressive discography. As Jennifer Kelly wrote at Dusted, “He’s a master of twisting realism into gentle fantasy, so that it’s hard to say where the grit leaves off and the fairy dust starts.” I spoke with Smith about the process of making the video — and that interview, along with a closer look at some of his paintings, follows.

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James Reich on the Haunted Landscapes of “The Moth For the Star”

James Reich author photo

It’s hard to find the right words to discuss James Reich‘s new novel The Moth for the Star. Is it a haunting tale of excess and murder in Depression-era New York City? A bizarre story of metaphysical warfare? A psychological study of generational trauma and repression? Arguably, it’s all of the above — along with some astronomy thrown into the mix. I spoke with Reich about his new novel’s genesis and the thematic concerns at its heart.

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