I first heard Seattle’s Chastity Belt via their 2013 album No Regerts, a winningly smart indie rock record. Their new album Time To Go Home (out later this month on Hardly Art) doubles down on that album’s strengths I mean, I’m in my late 30s, and Tsumani’s A Brilliant Mistake comes to mind when I hear this–it’s got that same blend of sharp-edged lyrics and music that can burn slowly or channel essential punk energy. And it doesn’t hurt that there’s a […]
Talking RIP DIY With Curator Nicki Ishmael
Last fall, when wandering through the expanded space of Death by Audio during that venue’s last week of shows, I caught sight of a wall featuring photographs taken at a host of DIY spaces. They featured bands in motion and crowds watching the action; they brought back memories of venues that no longer existed; in some cases, they brought back memories of buildings that no longer existed. That turned out to be the prelude for RIP DIY, a show of […]
The (He)art of the Memoir: GIRL IN A BAND by Kim Gordon
Rock and roll memoirs can be tricky. Maybe you want to know about the grit and the decadence, but beyond that, the genre might not offer up much else. There’s always the temptation of secrets from venue green rooms and recording studios, little tidbits that reveal a bit about the band and their beloved music. On the rare occasion these books can be a great read, but most are a slog through formulaic confessionals. Marianne Faithful, Kristin Hersh, and even Marilyn […]
Ten-Day Tours, “Suburban Myth,” and Walls of Sound: An Interview With Sick Feeling
I’d been hearing good things about the band Sick Feeling for a while now. I’m always a fan of well-done hardcore, and the presence of onetime Ink & Dagger guitarist Don Devore in the lineup didn’t hurt. On a cold night last month, a friend and I ventured out to Baby’s All Right to see the band play a terrific set; on the way home, I ordered their debut, Suburban Myth. Earlier this week, I checked in with vocalist Jesse Miller-Gordon […]
Califone’s Tim Rutili on Red Red Meat Reissues, Filmmaking, and More
The music made by Chicago’s Red Red Meat in the 1990s is every bit as beguiling and surreal as it was at the time. Though there were traces of Americana in the songs that they wrote, there were also moments that eluded easy classification–a quality they share with singer/guitarist Tim Rutili’s current project Califone. The Portland label Jealous Butcher is now in the process of doing deluxe LP versions of Red Red Meat’s discography. I checked in with Rutili via email […]
Karaoke, Midwestern Notalgia, and Pop Standards: An Interview With St. Lenox
Last fall, Ben Donnelly’s review of Ten Songs About Memory and Hope, the first album from St. Lenox, immediately got my attention. The group, headed by Andy Choi, makes pop music that’s both uncannily familiar and impressively skewed; also, as John Darnielle has noted, Choi is a hell of a lyricist. With the album out this week on vinyl from Anyway Records, I checked in with Choi via email to learn about the origins of St. Lenox, his approach to lyrics […]
Let Me Show You How To Love This: “Green Arrow” by Yo La Tengo
An essay a week meant to explain why a song is beautiful. Please press play on the song, wait for the ad to finish if there is one, and read the essay during the entire length of the song.
“It Felt Very Troubadour-Like”: Mike Pace on His New Album, Comedy Podcasts, and Guitar Overdubs
I’ve literally known Mike Pace for half of my life: we met in the mid-90s when I was interning at a record label, and later reconnected after college, when he was one-third of the terrific indie rock band Oxford Collapse. That band called it a day in 2009, and Pace returned a few years later with two songs recorded under the Child Actors name, and returned to playing shows in 2014. A full-length, Best Boy, is due out next week; in […]