Here is New Music from the Mt. Eerie-Affiliated Hungry Cloud Darkening

File under: atmospheric rock we like. In this case, it’s the Anacortes, Washington band Hungry Cloud Darkening. The trio have played in the live version of Mt. Eerie, and they share a fantastic sense of atmosphere with that group. Through blissed-out drones and slowly burgeoning vocal harmonies, “Clearly Seen” sneaks up on you, then leaves you flooded. The album on which it can be heard, Glossy Recall, is out on October 7th. Listen to “Clearly Seen” below.

Continue Reading

Listening to Alvarius B. in Brooklyn

The memorably fractured songs made by Alvarius B. (aka Sun City Girls’ Alan Bishop) encompass a host of styles, from globetrotting pop to fragmented explorations of the acoustic guitar. Some albums are intentionally jarring; others, such as 2011’s Baroque Primitiva, show off a more textured, melodic side. Earlier this year, Alvarius B. and Sir Richard Bishop released a split LP, If You Don’t Like It…DON’T! The second half of the year brings with it a new album, with the deeply memorable title What […]

Continue Reading

Post-Maxwell’s, One Year Later

It’s been a year since Hoboken’s pivotal indie rock club and restaurant Maxwell’s has closed its doors, but it’s going to take much longer than that to wipe away its memory. At The Rumpus, Jesse Sposato asks numerous musicians for their take on Maxwell’s, which closed one year ago.

Continue Reading

Solo Projects, Family History, and “Various Iterations of Heartbreak”: An Interview With Human Potential

Trying to pin down the style heard on Heartbreak Record, the debut from Human Potential, is nearly impossible. There are elements that suggest Andrew Becker’s time in post-punk bands like Medications and Screens; there are also blissed-out moments of pop that recalled, for me, Mice Parade at their most shimmering. It’s an album that constantly shifts and surprises; to learn more about the process of making it, I checked in with Becker via email.

Continue Reading

Talking Essays With Frog Eyes’ Carey Mercer

Three years ago, I interviewed Frog Eyes’ Carey Mercer. Since then, Frog Eyes has released the harrowing Carey’s Cold Spring; Mercer was also treated for throat cancer last year. (That treatment was successful; Frog Eyes will be touring later this month.) Originally self-released, Carey’s Cold Spring was reissued this summer by Paper Bag Records. Along with the new edition of Carey’s Cold Spring comes an essay collection, Clouds of Evil. I reached out to Mercer via email to learn more about his book, and to discuss his […]

Continue Reading

“We Wanted It To Radiate Positivity”: An Interview with Seattle’s USF

Let’s talk about Seattle’s USF for a second. Their new mini-album, SIMISM, is ecstatic and meditative in equal measure; there’s plenty to contemplate sonically even as the rhythms contained within summon the body to move. The duo of Jason Baxter and Kyle Hargus has been active for several years. SIMISM follows up their 2011 The Spray, which takes a cue from Jonathan Lethem. I’ve known Baxter for a few years now (his work on the comic Trip Fantastic is also highly recommended); I reached […]

Continue Reading

J. Robbins Explores the Acoustic Guitar on a New EP

  Very simply: there’s a new EP out now from J. Robbins, of Jawbox/Burning Airlines/Channels/Office of Future Plans fame. It’s six songs total, and finds him delving into his back catalog (along with one new song), accompanied by some of his Office of Future Plans bandmates. And, as with much of his work, it’s quite catchy. It’s called Abandoned Mansions, and it’s available digitally via Bandcamp.

Continue Reading

Pop Music as Science Fiction: An Interview with A Sunny Day in Glasgow

A Sunny Day in Glasgow have never been an easy band to pigeonhole. There’s a pop sensibility at work in their music; but they’re also willing to push things into a more sonically surreal direction, with elements of shoegaze and psychedelia figuring prominently in their work. Their new album, Sea When Absent, fractures their sound and reassembles it in a series of beguiling ways; change, on a physical and environmental level, is a concept that pervades the album. I corresponded with […]

Continue Reading