Discussing the work of Hannah Lew can lead to sheer exhaustion, or possibly envy — besides making haunting, catchy, jarring music, Lew is also a filmmaker, and has directed videos for several of her contemporaries. She is probably best-known for her work in Grass Widow; her new band, Cold Beat, occupies a similar position, blending decades’ worth of pop know-how with a deeply punk urgency. They recently released their debut single, and it was with this that our conversation began before […]
HoZac Joins the World of Publishing
The ranks of record labels that have branched into publishing aren’t exactly numerous, but those that have have often done so memorably. Drag City has released books from the likes of Rudolf Wurlitzer and John Fahey; Heartworm’s outsider aesthetic applies just as easily to the stark poetry and experimental fiction that they’ve released as it does to slabs of harsh industrial noise and gritty postpunk. Hardcore stalwart Revelation Records has released several books over the years, including a collection of […]
New York Without Lou Reed
I drove back home to New York yesterday, and listened to all four of the Velvet Underground’s proper–I say “proper” because I don’t consider Squeeze, without any of the original members appearing, an actual Velvet Underground product–albums, and then Lou Reed’s Transformer and Coney Island Baby. This in itself isn’t strange, considering I could probably do some sort of calculation and come up with some grand total of hours spent listening to albums by the band and their post-Velvets solo […]
Somewhere Between Cale and Cave: Listening to The Victor Dimisich Band
Sometimes, the right phrase is enough to get me to pick up an album. I’d gone to Academy Annex’s new space in Greenpoint a week or so ago to check out their selection of zines; while there, I also checked out some of the records hanging on the wall. One of them was from a group whose name I didn’t recognize: The Victor Dimisich Band. I saw that this was on Siltbreeze, which boded well; then I saw the staff […]
Band Booking: Talking Warm Fuzzies with Ell V Gore
Ell V Gore is a Toronto goth-rock band who’ve been churning out rockabilly and no wave-inflected tunes for about three years now. Starting off as Brides, a sprawling multi-instrumental project combining brass instruments with more conventional rock instrumentation, the group, led by Elliot Jones, has since become a more stripped down affair, and has started to gain recognition since the release of the EP Sex Static over the summer. When I was living in Toronto, I saw different versions of Brides play […]
Aberdeen Skins Never Say Die
“Awww put your clothes back on, faggot!” A handful of skinheads swirled around the pit, shielding their eyes from my nakedness. For some reason we were playing in Aberdeen, Washington. The promoter was a chubby kid with a floppy green Mohawk named Phil. Phil seemed to have mild Down’s syndrome and he spoke with a stutter. “Ther…ther… ther…are no real skinheads in America. The… the only real skinheads are in England.” The Aberdeen skinhead crew didn’t take kindly to Phil’s […]
Contradictory Name, Decisive Music: Positive No Debuts
Among the albums I’m most excited about this year is Via Florum, the debut from Richmond, Virginia’s Positive No. These five songs head more into the “cathartic post-punk” territory: melodic in places, emotionally exhausting in others.
Jim White, Excellent Lute Playing, and Curious Dogs Equals Pure Joy
As drummers go, Jim White is one of the best working today, equally at home playing frenzied fills in Dirty Three, taking a more restrained approach with his work with White Magic a couple of years ago, or providing the backbone of the all-star band providing the music for Jem Cohen’s We Have an Anchor at BAM. All of which has us especially eager to hear Xylouris White, his new project with lute player George Xylouris.