Last week, the highly-anticipated Grand Theft Auto V was released, making almost $1 billion on its first day. Coupled with the fact that gross revenue from video game sales eclipsed that of the film industry in 2005, it seems logical that video game culture would have begun making inroads into other realms of pop culture. Digital music has always made reference to the midi tracks of early video games; as technology changes the tools we use to make music, the impulse to revel […]
Band Booking: Talking Pynchon and DeLillo with Grooms
I saw Grooms play their album release party for their new full-length Infinity Caller at Death By Audio on August 31st. It was maybe the first time I’d been to the venue since the summer began where it didn’t feel like a sauna. The gig was full without being packed in a way that would encourage belligerence. Like a lot of their 90’s throwback peers, Grooms and their fan base nurture a kind of slacker-oriented, music nerd atmosphere at their shows, […]
Band Booking: Talking Indonesian Folktales with Trabajo
The best music makes you hear sounds in new ways, reframing and re-contextualizing the components of a song so that they create something novel and hopefully unique. In the same way that David Bowie took funk music and gave it an arch, English twist, good music proceeds in a zig-zag, sourcing known materials to produce something that moves the art form forward. It’s rare enough to find a band that genuinely tries to do that, and that’s totally fine. A lot […]
Band Booking: Jenn Ghetto on Silly Goose, Covering Blink-182, and More
Listening to her work as part of the ornately melancholy band Carissa’s Wierd, or her solo work as S, you might not expect to find Seattle’s Jenn Ghetto fronting a Blink-182 cover band. And yet. Silly Goose, Ghetto’s latest group, just released their debut seven inch, featuring a trio of faithfully-played covers bolstered by Ghetto’s distinctive voice. For this writer, at least, much dancing in a desk chair ensued. I checked in with Ghetto to learn more about the project’s […]
Video Premiere: Sunglasses and Surreal Imagery in Adam Lareau’s Power-Pop “It’s Too Late To Be Yesterday”
We’re pleased to bring you the debut of Adam Lareau‘s “It’s Too Late To Be Yesterday,” from his new album Vacation Transportation. Fans of classic power-pop will find much to enjoy here, and Lareau’s creative process — described below — is also fascinating. Brace yourselves for crashing waves and a barrage of sunglasses…
Why We Need To Borrow Your Drumset
Hey, dudes. Glad you could make it to The Cube, The Gelatinous Cube, Cube House; where the house is square but nothing else is, ha-ha, sorry. If that’s a bit obvious, at Gel’ House we feel like inside jokes are exclusionary. It’s not that we don’t have a sense of humor; we just don’t identify as funny. You can park anywhere. Just make sure you duck tape the windows and leave a band member in the van at all […]
Stumbling Into Slowcore
In late 1996, I heard the band Rex for the first time. A few friends had recommended their music and I, eager to delve further into the new-to-me world of indie rock, embraced their album C. A few months later, I helped put together a show that they played at NYU. I kept on listening to C over the years, though — for whatever reason — I never again saw them live. Were I to venture a guess, I’d say […]
Band Booking: Shannon and the Clams on Cosmic Horror, Serial Killers, and Collage
Shannon and the Clams make classically stripped-down music: over tautly-played guitars, the interweaving vocals of Shannon Shaw and Cody Blanchard lay out surreal narratives. It’s a timeless style, and it works. Their new album, Dreams in the Rat House, continues their tradition of taking a solid garage-rock sound and taking it to surreal places. (Think The Cramps; think Panther Burns.) It doesn’t hurt that both Shaw and Blanchard also make music as part of other, equally impressive, groups: Hunx and His Punx and […]