One sign of good fortune is having friends who recommend good music. They share links. They loan LPs. They call out across the store when you’re digging through the crates and they find that record you have to hear. My friends James and Steve go above and beyond. A promoter and club owner, they have set up countless shows for the musicians they most admire. They’re well versed in the jazz classics, but it’s the contemporary scene they celebrate most eagerly. They’ll tell you we live in a golden age of jazz, and they back it up. And whenever they ask, “You don’t know her/him/them?”, it’s not a judgment. It’s an invitation. There was an extra charge in their voices when they first told me about trumpet player jaimie branch.
Vol. 1 Brooklyn Goes On The Road With Deer Tick
The Providence-based Deer Tick has been playing together for twenty years, and to celebrate the release of its new album Emotional Contracts, its first in six years, band members have agreed to answer these questions for Vol. 1. Brooklyn. The introspective album, an amalgam of alternative rock, alt country, and Americana, features melodic songs with catchy hooks and sonic guitar loops, prevalent in the closer, “The Real Thing.” Many of the songs including “If I Try To Leave,” “If She Could Only See Me Now,” and “Running From Love” will be surefire sing-a-longs on the band’s 2023 North American Tour, which started on June 21 in Cleveland and culminates in Mexico in 2024. Their website has more information on dates and tickets.
Forget the Sex Pistols, The Clash, etc.: Notes on “Shotgun Seamstress”
I grew up listening to punk rock, No-Wave, and various types of experimental music in the basement of my parents’ home in New Jersey, where the now old-fashioned stereo system was located: two large speakers leaning against the wall at an angle on bar stools, turntable and heavy receiver mounted on a wooden stand between them. I went to Bleecker Bob’s and Generation records on the lower east side, or a small record shop, Things from England, a few blocks from where I lived in New Jersey, to pick up the latest new wave and punk records. I was thinking of these early experiences when I picked up Shotgun Seamstress.
Matthew Robert Cooper on the Literary Inspirations Behind Eluvium’s “(Whirring Marvels In) Consensus Reality”
I’m a longtime admirer of the music Matthew Robert Cooper has made, whether it’s as Eluvium or under his own name — or one of several other aliases and projects that have added to his impressive discography over the years. Eluvium’s new album (Whirring Marvels In) Consensus Reality represents something of a shift for Cooper, who was dealing with health issues that involved changing the way he wrote. I spoke with Cooper about the literary influences underlying this new album, his thoughts on music and technology, and what he’s been reading lately.
Grandbrothers on “Late Reflections” and Recording in a Cathedral
The list of non-classical albums recorded in sacred spaces is small, but it’s led to some impressive sounds over the years. (Cowboy Junkies’ The Trinity Sessions is a particular favorite.) Grandbrothers, the duo of Erol Sarp and Lukas Vogel, recently created their own entry in that category with their new album Late Reflections. Recorded in the Cologne Cathedral, the album takes use of the space’s unique sound to create something vast and immersive. I spoke with the duo about the process that led to the making of the album and the challenges they faced along the way.
Dispatches from the Making of Canto Ostinato
In the Fall of 2021 I recorded a one-hour, multitracked solo performance of Canto Ostinato by the late Dutch composer Simeon ten Holt. Following are a few scattered reflections from the project’s inception to its release this month.
Blood in My Mouth: A Conversation Between Jeff Jackson and Meghan Lamb
A lot of writers were in bands when they were young, but what about making music after you’ve published a few novels and are old enough for the romance of late night shows in dive bars to have dimmed? Is it something most people outgrow for a reason? A compulsion related to arrested development or midlife crisis? Or is performance intimately related to the act of writing in ways that are slow to reveal themselves?
Notes on the Special Pillow, the Holdout, Mikey Erg, and Alice Bag
Notes on the Special Pillow, the Holdout, Mikey Erg, and Alice Bag
Or: An Open Letter to My Bandmate, Former and Future, John Ross Bowie
John,
You still subscribe to Razorcake, right? What did you think about Donna Ramone’s recent column, where she writes about listening to favorite punk albums with new lenses? I love her line about needing to clean off “the nostalgia grease from this mirror and see some of that punk I love for what it really is.” We texted later and she said the column came out of group chats, spiraling with friends about old punk records. “Fear? Is Fear…ah fuck. What about the Dwarves? I can’t handle this.” She described it as a conversation she wants to keep having despite the discomfort. Old favorites and new standards don’t always jell.