Revisiting the Comedy of Manners: On “The Default World”

"The Default World"

Jhanvi, the protagonist of Naomi Kanakia’s novel The Default World, refers to an ongoing project of hers as a “marriage plot” a few times over the course of the book. This is an eminently accurate description of what Jhanvi is up to: she’s in the process of trying to marry a tech-bro friend of hers so that his health insurance will cover her gender-affirming care. But it’s also a nod on Kanakia’s part to the territory she’s entered with this book. On the one hand, it’s a spot-on satire of a certain segment of the tech world; on the other hand, it’s a book that’s in the grand tradition of, say, Edith Wharton’s The Custom of the Country.

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A Candid Look Back: On Edmund White’s “The Loves of My Life”

"The Loves of My Life"

Edmund White has never let any barriers get in his way, not in his public life, not in his writing.

In his upcoming memoir, The Loves of My Life: A Sex Memoir, he chronicles a lifetime of sexual adventures: his furtive explorations with other similarly closeted boys, growing up in the Midwest, his not-unpleasant dalliances with women, in an attempt to “go straight”, his myriad sexual conquests once he had come fully out as a gay man, many of them men who would become the models for characters in his many fine novels. In this new book, White displays his trademark courage for taking on taboo subject matter, here writing so explicitly about sex that one wonders how the reading public in these ridiculously PC, “woke” times will react. But this was Mr. White’s life. And if a writer can’t write about his/her own life, what is he left to write about?

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Transcendence Has a Cost: On Tara Isabella Burton’s “Here In Avalon”

"Here In Avalon"

In October, I sat inside James Turrell’s installation Hind Sight for the first time. This is what it was like: I followed a railing along a winding pathway before arriving at a chair, where I sat. I then stared across the room at something imperceptible: something made out of light, something not designed to be perceived by human eyes under normal light. I left the room with a greater understanding of friends and family who have had genuinely religious experiences. In Hind Sight, there was the sense of perceiving something utterly ineffable and yet utterly present.

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Constant Delirium: Reading Jean-Pierre Martinet’s “With Their Hearts In Their Boots”

"With Their Hearts In Their Boots"
Credit where credit is due: I picked up Jean-Pierre Martinet’s With Their Hearts In Their Boots (translated by Alex Andriesse) in no small part due to the fact that its introduction was by William Boyle. Boyle’s cultural recommendations, whether literary or cinematic, are often spot-on, and reading his description of this “[h]hard-boiled, funny, dangerous” short novel piqued my interest for what was to follow.

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From Bereavement to Betterment: A Review of Charles Bock’s “I Will Do Better”

"I Will Do Better"

Charles Bock hails from Las Vegas.  And it’s clear right from the opening pages of this memoir, that he’s been dealt a tough hand. He’s a reluctant father and working novelist, and his beloved wife Diane has just passed away from leukemia, leaving him to care for his three-year old daughter, Lily.  And things will only get worse before you leave Chapter One.  The book has a Sisyphean feel to it because nothing is ever easy in this story, except the clear, persistent love the writer has for his daughter. That drives the narrative and allows you to see struggle, self-doubt, and sacrifice as the essential journey we’re on with this family.

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Political Histories: On Ronnie A. Grinberg’s “Write like a Man”

"Write like a Man"

Increasingly, the podcast Know Your Enemy has become one of my go-to sources for book recommendations. Sometimes this involves going to the backlist, particularly when it comes to Garry Wills; sometimes it involves checking out a more recent work, particularly when its author was a KYE guest. That’s how I came to read Ronnie A. Grinberg’s Write like a Man: Jewish Masculinity and the New York Intellectuals. That’s an imposing title, but the book itself is eminently readable; more than that, it’s also deeply relevant, chronicling a compelling blend of literature, politics, and interpersonal rivalries.

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Out of Ohio: A Review of Nick Rees Gardner’s “Delinquents and Other Escape Attempts”

"Delinquents"

Nick Rees Gardner’s third book (So Marvelously Far, 2019 and Hurricane Trinity, 2023) is a linked story collection focusing on the fictional Westinghouse, Ohio. Right away, I was drawn to see Gardner’s world in connection with Sherwood Anderson’s linked stories in Winesburg, Ohio, and Gardner’s Delinquents didn’t disappoint.  As the opening pages make clear, this Rust Belt collection is about a very different America than Anderson wrote about in Winesburg. They’re trapped; they’re often addicts; they’re seeking a means to escape Westinghouse; they’re looking to find love, meaning, connection, and some shred of satisfaction.  Time passes or it doesn’t in Westinghouse, as the book points out. Too often, the characters struggle just to make it another day. 

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Rhizomatic Reading:  John Madera’s “Nervosities”

"Nervosities"

In John Madera’s debut fiction collection, Nervosities, heavy conceptsdiaspora, transversalism, the over-saturated and over-stimulated post-industrialized world Herbert Marcuse’s One-Dimensional Man could only have dreamed aboutare woven by Madera into human stories with such subtle, virtuoso touches, that Nervosities becomes much more than an objet conceptual.

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