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26 results found.
26 results found.
I think by saying he is the “Buddha of New York’s L-train set“, Taylor Antrim of The Daily Beast is saying that Chuck Klosterman is big with “the hipsters”. However, I gotta say, I find Klosterman to be more of a F-train kinda guy — big with “the freelancers” and “hipster parents“. That’s just me of course, and I’m usually wrong. Lit. Orhan Pamuk has a museum. What do you have? The UK name their first laureate for storytelling. His […]
Chuck Klosterman got married, and journalistic ethics are called into question. Also, the article in question is lame. Lit. Gore Vidal is a man of letters, which is inherently at least mostly respectable. His recent interview with the Times is filled with wisdom, albeit sharp and abrasive. The Desk Set hipped us to Abe Books Weird Book Room. Thanks. Infinite Summer, the D.F.W-reading online book club, has climbed their Everest. To celebrate, they’re reading Dracula. Yep. Honestly, I’m into book […]
BRIAN ALAN ELLIS runs House of Vlad Press, and is the author of several books, including Sad Laughter (Civil Coping Mechanisms, 2018) and Hobbies You Enjoy (serialized daily on Instagram: @hobbiesyouenjoy). His writing has appeared at Juked, Hobart, Fanzine, Monkeybicycle, Electric Literature, Vol. 1 Brooklyn, X-R-A-Y, Heavy Feather Review, and Yes Poetry, among other places. He lives in Florida.
The nature of music writing over the years is one of constant change and evolution, one which the anthology Shake It Up: Great American Writing on Rock and Pop from Elvis to Jay-Z seems uniquely able to document. Editors Jonathan Lethem and Kevin Dettmar begin their introduction with a statement of purpose: “Fifty selections from fifty writers covering approximately fifty years of American rock and pop writing: it’s an elegant conceit, you’ve got to admit.” But a closer look at the work included in the anthology also tells a second story–one about how music has been and continues to be written about, and how music writing has evolved over the years.
In our afternoon reading: an interview with Isabel Waidner, new writing from Helen McClory and Leah Umansky, and more.
I never really gave all that much thought into how much of an impact watching certain NFL Films productions had on me when I was growing up. They were gritty, melodramatic, and helped turn me into the fan I am today. They were also poetic, much of that due to the son of NFL Films founder Ed Sabol’s son, Steve Sabol.
Natureboy is the musical project of singer/songwriter Sara Kermanshahi and producer Cedar Apffel. I’ve been watching them play for years in Brooklyn and recently caught their June series of shows at Pianos in the Lower East Side. Their work is defined by Sara’s unique voice, which perches atop a canopy of echoing guitars and synths, managing to sound both sullen and beautiful. Knowing that they were just finishing a new album, I invited them over to my house for beers […]
A roundup of things consumed by our contributors.