Life is Very Gothic: An Interview with Adam Gnade

Adam Gnade

All across America, Adam Gnade knows the blue highways and the sad honky-tonks and the names of towns that time will one day forget. He’s traveled this country enough by car, bus, train, and plane to make anyone want to stay home for a while. His home is the rural Great Plains of eastern Kansas, where when he’s not on the road performing talking songs and giving readings he’s taking care of a mini Noah’s Ark of rescue animals. This is where he does his real work of figuring out what he wants from this brief time we have.

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Sunday Stories: “Models”

"Models" image

Models
by Ian S. Maloney

In the basement of our green house in Marine Park, an industrial green carpet was laid with beige and black patterned lines. A fisherman’s net was cast from the drop ceiling and a harpoon was anchored on the wall, next to an oar slung atop two industrial hooks. Bookshelves and cubby holes were built into the wall, constructed out of pine and cedar. It looked like a honeycomb. A couch was placed before a television entertainment center. The flower printed cover of red roses and green vines was worn away. Its pillows were depressed and its springs sagged in the middle. The threadbare fabric had black grease stains on it and cigarette burn holes. Ashes accumulated in the crevices of the couch.  The nautical coffee table was strewn with glasses, bowls, cups, and magazines.

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After ‘After the Final No’: A Review of “Anthropica” by David Hollander

"Anthropica" cover

A work of art that takes as its titular subject the premise that the ability of humans to observe the universe is inherent in the universe’s being at all would seem either to be completely theoretical as a fiction or a work so mind-bogglingly dense and self-reflexive it would preclude access to all but an elite few.  Luckily, Anthropica by David Hollander rids itself of this problem by embracing paradox to astounding effect.

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