ALEXANDRA NAUGHTON is the author of a novel, American Mary (Civil Coping Mechanisms, 2016), and ten poetry collections, including a place a feeling something he said to you (Spooky Girlfriend Press, 2020), Rapid Transit (Nomadic Press, 2018), and You Could Never Objectify Me More Than I’ve Already Objectified Myself (Punk Hostage Press, 2015). Her work has appeared in Sporklet, Cosmonauts Avenue, Maudlin House, Witch Craft Magazine, Everyday Genius, Expat Lit, and elsewhere. Subscribe to her Substack at talkaboutit.substack.com.
Sometime in February, Alexandra Naughton met up with Amy Berkowitz at a cafe in San Francisco to talk about the re-release of Berkowitz’s bookTender Points (an incredible and extremely readable lyric essay on the topic of trauma and chronic pain) by Nightboat Books.
The pair sat at an outside picnic table in San Francisco, before the reality of the pandemic hit the United States, and discussed what’s changed since Tender Points was first published in 2015, zines, the roles of trauma and disability in literature, what Berkowitz and Naughton are working on these days, and the birds in their immediate surroundings.