In our afternoon reading: interviews with Sarah Ghazal Ali and B.R. Yeager, thoughts on Olivia Laing’s new book, and more.
Afternoon Bites: Remembering John Barth, Temim Fruchter’s Playlist, Ilana Masad Fiction, and More
In our afternoon reading: remembering the life and work of John Barth, new writing by Ilana Masad, and more.
Morning Bites: Remembering Rick Froberg, B.R. Yeager on Writing, Revisiting Colson Whitehead, and More
In our morning reading: remembering the life and work of Rick Froberg, interviews with B.R. Yeager and Edmund White, and more.
Afternoon Bites: Hermione Hoby on 2021, B.R. Yeager’s Fiction, Notable New Music, and More
In our afternoon reading: Hermione Hoby on the year in books, new writing by Matthew Neill Null, and more.
Morning Bites: Lucy Ives Interviewed, Digital Footprints, David Leo Rice and B.R. Yeager on Fiction, Tracy O’Neill, and More
In our morning reading: an interview with Lucy Ives, David Leo Rice and B.R. Yeager in conversation, and more.
Morning Bites: Patricia Lockwood, B.R. Yeager Interviewed, Thulani Davis, Books About Heartbreak, and More
In our morning reading: exploring the world of Patricia Lockwood, an interview with B.R. Yeager, and more.
Afternoon Bites: B.R. Yeager, Guillermo Stitch’s Latest, Amber Sparks, Tim Horvath Fiction, and More
In our afternoon reading: thoughts on B.R. Yeager’s new novel, essays by Amber Sparks and Nina McConigley, and more.
Postcards From a Massachusetts Nightmare: A Review of B.R. Yeager’s “Negative Space”
B.R. Yeager’s novel Negative Space is a coming-of-age book full of autumnal imagery and featuring a trio of narrators each struggling with complex issues within their own lives. In that, it is familiar. It’s also a novel in which the border between life and death is navigated with little explanation; where unsettling rituals spark paranoia and obsession; where certain familiar sights and sounds pull back to reveal horrors lurking on the other side. It’s not always the easiest of reads — due to both its structure and its subject matter — but it is deeply rewarding, in its own harrowing way. Reading it at a time when familiar routines are upended at a moment’s notice and the idea of a status quo seems like a luxurious illusion, it feels perfectly suited to this moment in history — a distillation of every emotion I’m feeling right now, in the form of a narrative both familiar and thoroughly unpredictable.