“The best thing about Baz Luhrmann’s much-anticipated/much-dreaded The Great Gatsby is that, for all its computer-generated whoosh and overbroad acting, it is unmistakably F. Scott Fitzgerald’s The Great Gatsby.” David Edelstein’s review of a certain film that’s highly anticipated around these parts is now up. Jenn Pelly interviewed Jenny Hval for Pitchfork. “It’s the fact that NOS4A2—a relentless, profoundly disturbing monster of a book—reads at every level like King’s work at its prime, a discomfiting mix of the otherworldly and quotidian, seeded with buried […]
Afternoon Bites: Edelstein on “Gatsby,” Jenny Hval, Joe Hill’s Latest, Artist Novels, and More
