The songs heard on All Are Saved, the new album from Fred Thomas, cover a wide stylistic range, from stark narratives to ecstatic arrangements. To anyone familiar with Thomas’s body of work, which includes albums released under his own name as well as with the groups Saturday Looks Good to Me and City Center, this is probably not going to be much of a shock. Throughout, memorable riffs and choruses weave around haunting memories and observations of geographical spaces. It’s […]