When I first heard about the AI program, ChatGPT, I didn’t think too much of it. You type in a question, and it gives you an answer. You give it commands and it responds in kind. I assumed it would be a hyped-up program that would be trendy for a bit then fizzle out, like the AI profile pics I had been seeing. I was wrong, as I often have been about these kind of things (I didn’t think Facebook or Netflix would last very long). Then I saw people posting whole essays written by the program. During a conversation with my brother-in-law, I suddenly saw the potential for writers to use this as a creative new tool. I could write a book much faster. I put that thought on the backburner. Maybe it would be a project for a rainy day. But I knew that this program wasn’t going to fizzle out. Then shortly before the start of the new year, Mallory Smart tweeted that she would be releasing a human/AI collaboration book on New Year’s Eve. My first thought was that the literary world is about to change. My second thought was, I need to talk to Mallory about this.
Morning Bites: Titus Andronicus Interviewed, Saeed Jones on Books, Mallory Smart’s Playlist, and More
In our morning reading: exploring the new Titus Andronicus album, an interview with Saeed Jones, and more.
Morning Bites: David James Keaton Nonfiction, Matthew Specktor Interviewed, Kaveh Akbar’s Poetry, and More
In our morning reading: nonfiction by David James Keaton, an interview with Matthew Specktor, and more.
Currents, an Interview Series with Brian Alan Ellis (Episode 15: Mallory Smart)
Mallory Smart is a Chicago-based writer who works as Editor-in-Chief for Maudlin House. She also talks about music and literature on the Textual Healing podcast, and drinks a lot of coffee.