Orange Alert Press, 2009, 108 p. Review by Tobias Carroll Title explains form in Jamie Iredell’s Prose. Poems. A novel. It’s a bold choice, and one that seems to suggest a sort of literary gamesmanship, a salvo in the form-versus-content battle, delivered in favor of the former. That the book opens with a epigraph from The Good, The Bad, and The Ugly, followed shortly by the author describing himself as “[a] whiskered goon at a notepad” should indicate otherwise. Through […]