At a screening of Robert Bresson’s 1977 film The Devil, Probably, part of BAM’s series Bresson, Richard Hell brought both his punk lineage and his knowledge of film history to open a discussion of the film. Yet Hell wasn’t simply there to extol the virtues of The Devil, Probably; instead, his take on the film was an unorthodox one, both laudatory and — at times — brutally honest about its flaws. For a film with a focus on uncomfortable moments […]