The last time I talked with Shana Cleveland, her band La Luz was in the midst of releasing a host of EPs. Since then, they’ve released one full-length, It’s Alive, on Hardly Art, with a followup due out later this year. She’s also released her debut solo album: Shana Cleveland and the Sandcastles’ Oh Man, Cover the Ground, on Suicide Squeeze. While it shares a haunting quality with her work in La Luz, Oh Man, Cover the Ground also features […]