My dad once pointed out an inconsequential part of Charade, the Stanley Donen film. It’s a piece of interstitial dialogue between two characters we never see. George Kennedy, with a hook for a hand, has ransacked Audrey Hepburn’s Parisian hotel room, and Cary Grant goes out the window to find him. Grant passes a neighboring room’s window, and a woman screams.
Sylvia & Ted: W.A.S.P.s in Love
Listen to Ted Hughes and Sylvia Plath keeping up the facade.