Working with Edmund White: Vignettes from Memory

Edmund White and Leo Racicot

The very first dirty word I ever heard out of Edmund White’s mouth wasn’t what I expected. I was expecting the OG of Gay Literature to blurt out cocksucking, finger fucking, felching, something like the no-holds-barred vocabulary of his books. But no. The first dirty word Edmund White uttered when I met him was “pussy”. We were sitting in choice orchestra seats at a production of Uncle Vanya at New York’s City Center when the curtain rose and leading lady, Cate Blanchett, appeared. She was this close to us. Ed leaned over and twittered, “I can see her pussy” which we actually could through her diaphanous underpants. We both howled like school girls, and I could tell Blanchett heard us and sent a scathing look our way. That made me like Ed immediately. That was also the time he told me the story of “awful Lillian Hellman” who, whenever she went to the theater and had to leave her seat, would deliberately step hard on the feet of the people in her row. “A meaner woman you never met.” Ed loved telling this story and repeated it many times at his apartment cocktail gatherings.

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Martha Anne Toll on Writing “Duet for One”

Martha Anne Toll

There’s a particular challenge that comes from writing a book in the world of another artistic discipline. Why? The usual challenges that apply to writing fiction apply, but so does the task of accurately depicting a very different creative word. In the case of Martha Anne Toll‘s new novel Duet for One, that world is classical music. Set in the wake of the death of an acclaimed pianist, Toll’s novel explores how her loved ones grieve and reflect on their own artistic triumphs and frustrations. I talked with Toll to learn more about book’s origin and the difficulties she faced while writing it.

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Sunday Stories: “An Imposition”

Pond with trees overhead

An Imposition
by Claire Oleson

Shane was up to his thighs in the pond, moving pressure between his only two feet, thinking about his older brother, who had obliterated his femur to fine bone-snow just a month back. Skiing. Shane was lucky to have two working legs that were so pretty and so easy to use. He shifted his weight and basked in his luckiness. Weird to feel like this: to feel like what happens to your older brother is something that will happen to you eventually, that his whole body is a trailer for yours. This was not true, but Shane could not shake the gratefulness out of his legs. He wasn’t his brother. Shane was careful, borderline neurotic, thigh-deep in pond water, and not a skier. He was not whole because of luck; it was practical. Still: his legs looked good with his navy-blue running shorts hiked until they caught on his thighs and stayed there: bitch, lucky. 

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