Chapter 34
The failed blood sibling episode was one of the first videos we ever took down.
It fell within our criteria of obscene. Although, it is a public discourtesy to obscure any information, so we had to do a shitload of covering our tracks to avoid any public outrage.
Only on special occasions and this was a very special occasion.
Tobias Carroll’s fifth book, In the Sight, is a hip dystopian road novel. Farrier is the main character, and we follow his travels through roadside motels, eateries, gas stations, bars, retail locations, and secret reading rooms and societies across a futuristic American landscape. In the Sight was inspired by Destroyer’s 2002 album, This Night, and we trail after Farrier as he dispenses a mind-altering product which can change the trajectory of your life. A revision of life is what the product delivers. At first, I wondered if I was heading into Huxley’s Brave New World territory, or a new age reboot of Kerouac’s On the Road, but in a more nomadic picaresque journey. Rick Moody’s hilarious Hotels of North America even crossed my mind as well, early on, as I tried to figure out where Farrier was going and what he was aiming for in his journey. None of these truly fit what I found in this novel. We learn that Farrier and his friends Edwin Hollister, Lopez, and Erskine, all share a similar discontent about the lives they’re leading in university. Edwin names what they’re after: “Reincarnation…but without the death part.” The group experiments with DIY brain science alterations, which allow the recipient to begin a new life. Edwin partakes, revises himself, and sets off never to be heard from again, by Chapter 5. You wonder how many times Farrier has done the same.
Renowned microfiction author Joseph Young put out his new flash fiction collection The Thing I Was Trying to Tell You in June, and the collaborative children’s book Rocks: What Are They Doing also came out in June by artists Christine Sajecki and Michael Mäke. They got together for an amusing and enlightening conversation about their books, their process, and what art means to them.
Chapter 33
Streaming is genius because you get paid to share something the customer never owns.
Joselyn does market research and chooses who we promote on the front page. Morgen assists. It’s very clear Joselyn now has the Arto empire more than Morgen ever did. I’ll go with the last woman standing. Just don’t make me come out of retirement.
I don’t respond to cold calls much and I’m trying to get out of the book-review racket, but when Maggie Umber wrote me about her nearly wordless book Chrysanthemum Under the Waves, something told me to answer.
The jumping-off point was a piece Umber made for an anthology of graphic work inspired by the writing of Shirley Jackson. Her story, “The Tooth” features a malevolent stranger named James Harris. Soon Umber was seeing Harris not only in Jackson’s stories but also in her own life.
In our morning reading: interviews with Alisa Alering and Helen Phillips, Jo Walton’s book recommendations, and more.
I’ve been an admirer of Matt Kindt’s comics work ever since I read the 2001 graphic novel Pistolwhip, his collaboration with Jason Hall. Since then, his career has seen him take on a host of genres, including working with some other high-profile collaborators. (Notably, Keanu Reeves on BRZRKR.) Kindt’s latest collaboration finds him working in the mystery genre, collaborating with his mother Margie Kraft Kindt on the series Gilt Frame. The first issue is due out this Wednesday, and I spoke with the two collaborators on the making of their new series.
In our weekend reading: James Baldwin’s connection to New Jersey, an interview with Tara Isabella Burton, and more.