Daily Quotable: The Books of Wes Anderson

“I wrote the text and described the covers in the script. We actually hired a different artist to design the cover of each book. I worked with them to do it, but that was different people’s artwork so that’s why they each kind of had their own voices as illustrations. We also animated [the books], and I think you can see it on YouTube. The books that Suzy doesn’t read from in the movie, I wrote a little paragraph of […]

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Richard Hell Talks Robert Bresson at BAM

At a screening of Robert Bresson’s 1977 film The Devil, Probably, part of BAM’s series Bresson, Richard Hell brought both his punk lineage and his knowledge of film history to open a discussion of the film. Yet Hell wasn’t simply there to extol the virtues of The Devil, Probably; instead, his take on the film was an unorthodox one, both laudatory and — at times — brutally honest about its flaws. For a film with a focus on uncomfortable moments […]

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Secrets of the “Girls” Melville House Internship Scene: Revealed

Folks with a fondness for indie presses who watched the first episode of Girls may have had a similar experience as they watched Lena Dunham’s character awkwardly attempting to parlay her internship into a full-time job. Specifically, they may have uttered some variation on the following: “Hey, wait a minute — is she working at Melville House?” From the books on the walls behind her, it looks like that might be the case.

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History is Made at Night: Whit Stillman, Lena Dunham, and Chris Eigeman at BAM’s “The Last Days of Disco” Screening

Last Thursday night I saw something rare and rich: movie stars not only living up to who you want them to be in person, but behaving the way they do in their best films. Whit Stillman and Chris Eigeman share a rapport that is not only delightful, but feels true to the words that Stillman has been writing for Eigeman’s roles in his movies for over twenty years. As the two bantered back and forth with a kind of artful, […]

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The Dwindling Prominence of Historical Memoirs in a Post-Historical World: Claude Lanzmann’s “The Patagonian Hare”

The Patagonian Hare: A Memoir by Claude Lanzmann Farrar, Strauss, and Giroux; 544 p.  Memoirs used to belong to the realm of the accomplished. In this sense, an essential question has always haunted the memoir i.e. why should I read about your life? We used to know the answer. After a singular life of historic importance a person felt obligated or entitled to write their life story. Now memoirs belong to the young, to the not yet accomplished. Whereas memoirs […]

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