Daphne Gottlieb’s latest, Saint 1001, is a damning, weird, sexy, tremendously literary, and extremely Gen X novel, told in a thread of letters and later emails through story, allegory, poetry, and Craigslist personal ads.
Remember Craigslist? I didn’t use it in its heyday, which I guess was the ’90s, but I was around in the early 2000s and have quite a few fond memories using and perusing the site. Some of the best apartments and roommates I’ve ever had were found on Craigslist. There was a period of time when I was working at Whole Foods as a cashier when I got my name mentioned on the Missed Connections section what seemed like every other week (I was probably too friendly back then, always asking customers about what they were going to do with the ingredients they were purchasing, making conversation with everyone as we were prompted to do by management). I met some interesting people on the Strictly Platonic section, once a paralegal who was in town for a lawsuit and wanted a dining companion, and I as a super broke 21-year-old was down for pretty much anything and happy to meet up with the stranger who happened to be staying at the Four Seasons Hotel. He didn’t come on to me but we did smoke weed on the patio outside the hotel and on his last night in town I convinced him to have a party in his hotel room where I invited all of my rag tag friends and some guests down the hall complained to security of a funny smell coming from the room. Those were the good old days, I guess. Today I’m not sure if I would use Craigslist in the same way that I did in the early 2000s, but I like to browse the real estate section for San Francisco apartments I can’t afford. The idea of Craigslist and the way this liminal space is employed in Saint 1001 still holds this kind of mystique that reminds me of a more rose colored time, prior to the Craigslist killer being a news item.
KKUURRTT is glad you read his thing. His novel Good at Drugs is available now on Back Patio Press. He can be found on Twitter at @wwwkurtcom.
No two books are written the same way, even if they share an author. For some writers, the process of writing one book can sharply influence the writing of the next; for others, the circumstances under which one work is created can be radically different from that work’s predecessor. The last year and a half has seen the release of new books by Janice Lee (Imagine a Death) and Mairead Case (Tiny). In the wake of both books’ release, Lee and Case discussed their own processes, the role of imagery in their books, and the power of names in fiction — among a host of other topics.
She Was Found in a Guitar Case, the new novel by David James Keaton, opens in a way that might seem familiar to fans of crime fiction. The novel’s protagonist learns of his wife’s death, and sets out to learn the truth about it, along with several mysterious connections she may have had. Things escalate quickly from there, with the narrative doubling back on itself and taking on a tone that’s both agreeably shaggy and increasingly paranoid. (If there’s a sweet spot between Pynchon and Portis, this book finds it.) I talked with Keaton about the novel’s genesis, how locks on bridges informed the book, and this book’s long path to publication.
ADAM SOLDOFSKY is the author of Memory Foam (Disorder Press), recipient of the American Book Award. His cartoon series, “Signs and Wonders,” appears regularly at maudlinhouse.net. His novella Telepaphone, with illustrations by Axel Wilhite, is out from Maudlin House.
Literary translation isn’t solely a desk job. In December 2019, a few months after agreeing to translate Albert Camus’s The Plague, Laura Marris traveled to Algeria, the author’s native country and the setting for his powerful portrait of a city enduring a deadly epidemic. Accompanied by Alice Kaplan, the author of the 2016 book Looking for The Stranger: Albert Camus and the Life of a Literary Classic, Marris walked the same streets as Dr. Bernard Rieux, the stalwart hero of The Plague. “That really helped the book,” she told me, “just in terms of seeing the landscape and getting the right names for trees, things like that. I think it’s always helpful as a translator to see the place where a book is set.”
LAURA THEOBALD is the author of three books of poetry—Salad Days (Maudlin House, 2021), Kokomo (Disorder Press, 2019), and What My Hair Says About You (Metatron, 2017)—plus three chapbooks. She’s an English PhD candidate at UGA in Athens and received an MFA from LSU, where she was the editor of New Delta Review. In her spare time she designs books for small press publishers. She’s on Twitter and Instagram as @lidleida.
RAX KING is the James Beard Award-nominated author of Tacky (Vintage, 2021) and host of the podcast Low Culture Boil. She lives in Brooklyn, NY, with her toothless Pekingese.