Near the beginning of Alissa Hattman’s novel Sift, Tortula reflects on Death, which to her is both miraculous and everyday. (Literally: Sift is about two women, traveling through a choked and smoky post-apocalyptic landscape in search of food and rest.) In the next paragraph, Tortula says, “I know, in that moment, we are going to die.” The next chapter is just one sentence: “Then, a horrible accident—we survive.” I love these moves, which feel beautiful and true to me—one, that a character can die and not (because you do go on, even when you can’t, not because you learn to suck it up, but because the world continues), and two, fragments that mean differently, depending on the light. Did we survive despite the horrible accident? Or is the accident our survival? Does it matter? Not, I think, as much as the question.