Sunday Stories: “Camera Obscura”

Street corner

Camera Obscura
by Amy DeBellis

The party was held in a small apartment building that looked, from the street, like it might be about to topple over in any direction. “The leaning tower of pizza,” Jade said, because they had just passed a pizza place on the same block, but Will looked at her blankly. She thought of explaining, and then decided against it.  

The elevator was broken, so they walked up the stairs, which smelled like sawdust and paint. “Are you sure we’re at the right place?” Jade asked more than once. She was aware of how annoying she sounded yet was helpless to stop herself, because she had drilled into her brain years ago that the only thing worse than being annoying was being too quiet. 

Continue Reading

VCO: Chapter 25

"VCO" image

Chapter 25

One million square feet of space can hold a little over 17 American football fields. Joselyn heard back from Hans that we were approved to purchase ten million square feet of undeveloped land for database warehouses.

One issue: before DPZ gets absorbed into PPL on paper (we’ve already made the change on the site) we have to sort out the compensation for our initial business partner: Marcus. 

Continue Reading

Unplanned Beauty in Dirty Waters: Brad Vogel’s “Find Me In The Feral Pockets”

"Find Me in the Feral Pockets"

Brad Vogel’s Find Me in the Feral Pockets is a Whitmanic yawp for Gowanus. Often known as Lavender Lake, Gowanus became infamous as a dumping ground for local industries in the late 20th century and for the Mafia, if you believe the urban legends told of it.  Now, it’s a Superfund site with a patron saint poet.  Vogel’s poems come to life with glimpses of subway tracks above and the looming skyscrapers in the distance. The work ranges from pondering and playful to dark and depressive, as the voice takes careful stock of the strange hypnotic beauty of Gowanus, whether it’s roaming the streets on foot or floating down the canal via canoe.  In “Black Mayonnaise” we see “Sick rainbows swirl/ Deep secrets bubble up/ Past percolating at low tide/ -And here I stand/ Bulkheaded, reeking/ Ancient timbers bowed/ A sponge garden/ With a runoff problem.” The stanza sets in motion so much of the volume’s energy; this place leads the voice deeper into itself. “I envy you, Gowanus/ We envy you, Gowanus/ You have an EPA/ To rid you of your PCBs/ A Superfund/ For your black mayonnaise/ Would that I could/ Would that we would/ Dredge ours up/ Omissions and failings/ Dredge ours up/ Half lives and toxic words/ Mix sludge with mountains/ With concrete/ To stabilize/ And cart it all away/ To some other state.”  Poems like this one show the reciprocal relationship between speaker and setting—a longing to dredge up and cart away the toxins of the past to find some other state of being, to be strangely healed by regenerative powers of nature even in a state of pollution.

Continue Reading