Unplanned Beauty in Dirty Waters: Brad Vogel’s “Find Me In The Feral Pockets”

"Find Me in the Feral Pockets"

Brad Vogel’s Find Me in the Feral Pockets is a Whitmanic yawp for Gowanus. Often known as Lavender Lake, Gowanus became infamous as a dumping ground for local industries in the late 20th century and for the Mafia, if you believe the urban legends told of it.  Now, it’s a Superfund site with a patron saint poet.  Vogel’s poems come to life with glimpses of subway tracks above and the looming skyscrapers in the distance. The work ranges from pondering and playful to dark and depressive, as the voice takes careful stock of the strange hypnotic beauty of Gowanus, whether it’s roaming the streets on foot or floating down the canal via canoe.  In “Black Mayonnaise” we see “Sick rainbows swirl/ Deep secrets bubble up/ Past percolating at low tide/ -And here I stand/ Bulkheaded, reeking/ Ancient timbers bowed/ A sponge garden/ With a runoff problem.” The stanza sets in motion so much of the volume’s energy; this place leads the voice deeper into itself. “I envy you, Gowanus/ We envy you, Gowanus/ You have an EPA/ To rid you of your PCBs/ A Superfund/ For your black mayonnaise/ Would that I could/ Would that we would/ Dredge ours up/ Omissions and failings/ Dredge ours up/ Half lives and toxic words/ Mix sludge with mountains/ With concrete/ To stabilize/ And cart it all away/ To some other state.”  Poems like this one show the reciprocal relationship between speaker and setting—a longing to dredge up and cart away the toxins of the past to find some other state of being, to be strangely healed by regenerative powers of nature even in a state of pollution.

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Presenting an Excerpt From Darrin Doyle’s “Let Gravity Seize the Dead”

"Let Gravity Seize the Dead"

We’re pleased to present an excerpt from Darrin Doyle’s new book Let Gravity Seize the Dead. This book follows a family who, in 2007, move into a secluded cabin and begin to detect evidence of another presence there — one with a connection to the cabin’s inhabitants a century earlier. Sara Lippman called the book “a moody, pitch dark novella that will linger in my nightmares for quite some time.” Read on for a glimpse inside.

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Sunday Stories: “Epiphany”

Fiddles
Epiphany
by Russ Doherty

“This music is The Future of the Irish Culture.” 

As dozens of fiddle notes flood the room, that phrase leaps out of my mouth. The music grabs me by the throat. 
My wife, Therese, snorts, indicating her take on my epiphany. She tosses back her Irish whiskey and orange juice and says, “You always think your private insights are so important. That’s BS. This is nothing but the same folk music I danced to in high school.” Sinead, our daughter, keeps right on coloring with her newfound five-year-old friend, Caitlin. 

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Joan Leegant on Writing “Displaced Persons”

"Displaced Persons"

I met Joan Leegant the first time I attended a writer’s residency—in 2017—at the Virginia Center for the Creative Arts. I was excited to read Leegant’s new short story collection, Displaced Persons, winner of the New American Fiction Prize, set half in Israel and half in America. Aside from elegant and accomplished writing, what grabbed me about these stories, especially the ones set in Israel, especially now, is the window into ordinary life. Israel has a large immigrant and refugee population; many people who live there have been displaced at one point or another. Meeting the characters in these stories, finding their humor and humanity on the page, was uplifting.

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