In our weekend reading: interviews with Kelly Moran and Kelly Link, revisiting “Magnolia,” and more.
Afternoon Bites: Léa Murawiec’s Comics, Percival Everett’s Fiction, Alison Cotton’s Latest, and More
In our afternoon reading: a new graphic novel by Léa Murawiec, the novels of Percival Everett, and more.
Morning Bites: Gabriel García Márquez’s Fiction, Comic Fiction, Lincoln Michel on Short Stories, and More
In our morning reading: thoughts on Gabriel García Márquez’s posthumous novel, interviews with Rita Bullwinkel and Julian Tepper, and more.
Afternoon Bites: Bora Chung Interviewed, Kate Zambreno on Writing, Chicago Movies, and More
In our afternoon reading: interviews with Bora Chung and Kate Zambreno, revisiting Chicago movies, and more.
VCO: Chapter 11
Chapter 11
I wake up on the floor of Everhet’s kitchen and instantly bring my phone over my face.
I dreamt that I text Morgen a Homeric epic about how my parents were dead. How they exploded.
I look at my texts. Wasn’t a dream. Initiate shame blocking sequence.
Morning Bites: Morgan Parker Nonfiction, Marilynne Robinson’s Latest, Publishing Models Gone Awry, and More
In our morning reading: an essay by Morgan Parker, thoughts on Marilynne Robinson’s new book, and more.
Afternoon Bites: Emily Raboteau Interviewed, Jennifer Croft’s Latest, Julian Tepper on Writing, and More
In our afternoon reading: an interview with Emily Raboteau, Julian Tepper and Rita Bullwinkel on writing, and more.
What You Can’t Outrun: Colleen Burner on “Sister Golden Calf” and the Joys and Challenges of Writing a Female Road Narrative
Colleen Burner’s Sister Golden Calf is a strange, gorgeous debut novel about two sisters, Gloria and Kit, who travel through the desert with their jars full of “invisible things for feeling and knowing.” It’s about grieving the death of a parent, about isolation and longing, and it features an eight-legged taxidermied calf, a ghost town, and a nude ranch. Reading Sister Golden Calf, I was moved by the propulsive, sometimes breathless sentences, and the quiet, meditative moments where Gloria and Kit find space to grieve—a space that is a car, a body, a sister willing to travel to the ends of the earth.