In our weekend reading: notes on the work of William Maxwell, an excerpt from Nisi Shawl’s new novel, and more.
Afternoon Bites: Kate Zambreno on “Heroines,” Kaveh Akbar’s Latest, Dan Sinykin on Publishing, and More
In our afternoon reading: an interview with Kate Zambreno, notes on head-spinning comics, and more.
Morning Bites: Claudia Dey on Writing, The Umbrellas’ Latest, Interviewing Christina Cooke, and More
In our morning reading: interviews with Claudia Dey and Christina Cooke, thoughts on The Umbrellas’ new album, and more.
Afternoon Bites: Adapting Yoko Ogawa, Writing Memorable Characters, Gerycz Powers Rolin’s Latest, and More
In our afternoon reading: adapting a Yoko Ogawa novel, recommended horror fiction, and more.
VCO: Chapter 4
Chapter 4
On my first day at Van Gogh’s Vase he appears.
Either there’s some funky stuff in my gum or this is a dream come true.
I keep looking at the shaved hair around his left ear, his perfectly groomed short beard (likely a Size 1 clipper guard), and try to truly believe, the creator of DPZ, Everhet Byzantine, is my boss now.
Morning Bites: Elizabeth Gonzalez James’s Latest, NBCC Award Finalists, Babak Lakghomi Fiction, and More
In our morning reading: thoughts on Elizabeth Gonzalez James’s new book, the finalists for this year’s NBCC Awards, and more.
Afternoon Bites: Megan Stielstra Interviewed, Gabino Iglesias’s Latest, Ann Powers on Music Journalism, and More
In our afternoon reading: an interview with Megan Stielstra, a preview of Gabino Iglesias’s new novel, and more.
Art and Literature In an Endless Cycle: Tomoé Hill on “Songs for Olympia”
There’s a long history of literary works inspired by literary works or works of art. For her new book Songs for Olympia, Tomoé Hill opted to go one layer deeper. Her book opens a dialogue with Michel Leiris’s The Ribbon at Olympia’s Throat, which is itself a response to a Manet painting. That said, a detailed knowledge of Leiris’s book is not necessary for enjoyment of Hill’s’; instead, the earlier work by Leiris and Manet provides Hill with a vantage point from which she can reckon with questions of art, gender, intimacy, and her own history. It’s a mesmerizing work, and I caught up with Hill earlier this year to discuss it in greater detail.