Two years ago, the Midwestern book tour I was on with duncan b. barlow concluded on a rainy Chicago night with a reading at Volumes Bookcafe headlined by Maryse Meijer. Hearing Meijer read from her debut collection, Heartbreaker, left me floored; since then, I’ve eagerly read her subsequent books, the novella Northwood and the new collection Rag. Meijer’s fiction is haunting in a host of ways, some of them literal: she brings the reader to the border of the uncanny and primal, while also tapping into something deeply modern and urgent. I spoke with her following the release of her latest book about her short fiction, the role of horror in her work, and titles, among other topics.
It’s December, and the year has begun to reach its end. There’s a chill in the air; the streets of the city have grown more quiet, and jackets and scarves can be seen marching down the sidewalks. The year still has some notable books due to be released, however: everything from late works by acclaimed authors to stylistically bold experimental works by new and vital voices. Here’s a look at some of the books due out this month that have […]
In our afternoon reading: new Anne Carson fiction, Rahawa Haile on short fiction, memories of Harry Nilsson, and more.
A little less than two years ago, I went to the Center for Fiction to see Anne Carson read. The piece she read there was called The Albertine Workout, and it found Carson applying her considerable skill in literary scholarship to the works of Marcel Proust–specifically, the character Albertine in À la recherche du temps perdu. The piece consisted of a series of paragraphs, some very short, some not so much, along with a series of appendices. Besides its inquiry […]
In this morning’s reading: thoughts on the music of Scott Walker; new writing from Anne Carson, Meredith Turits, and Erika Anderson; thoughts on Edward Carey’s new novel; and more.
Thoughts on Anne Carson’s latest, new poems from Niina Pollari, novelists on World War I, Yannick Murphy interviewed Yannick Murphy, and more.
“…fragments are, thematically and formally, the atomic unit of Carson’s work. They are also emotionally paradoxical entities—evidence of the inevitable breaking up of things, yet also evidence of those things, proof that once there was a story here.” Kathryn Schulz on Anne Carson’s Red Doc >. Maris Kreizman is profiled in Brooklyn Magazine. Follow the Blood, Sundog Lit’s anthology of work inspired by the Hardy Boys and Nancy Drew, features work from folks like xTx, Lindsay Hunter, Gabriel Blackwell, Amber Sparks, and Matthew Salesses. […]
Afternoon links for February 7, ranging from Anne Carson’s “Nox” to James Sturm’s look at the history of Marvel Comics.