And we’re back. Three collections this week: one memorable selection of essays on artists, one group of realistic stories of cultures intersecting, and one gripping dose of cosmic horror. Stating that I’m a fan of Janet Malcolm’s writing is not exactly a groundbreaking comment, I realize. I was eager to read her newly released nonfiction collection Forty-One False Starts in part because I’ve largely encountered her work at book length; reading more focused examples of her writing was definitely appealing.
“As a critic, Malcolm owns her biases, and allows the reader to join her as she interrogates what these predilections reveal about gender, race, class, and the other thorny issues.” At The New Republic, Cara Parks on the career of Janet Malcolm. MobyLives interviewed J.A. Tyler about the end of Mud Luscious Press. Richard Prince’s Seinfeld-inspired composite. Would you like to hear a song from Tim Harrington’s upcoming children’s book? Claire Messud: interviewed. (And here’s some commentary from David Daley.) Amelia Gray: also interviewed! […]
Indexing: An Abundance of Lawrence Weschler, Michael Roemer’s “Nothing But a Man,” Preparing For Moby-Dick, Screamy Bands, And More
A roundup of things consumed by our contributors.
The New York Times on how political reporters read. Michael Robbins on David Foster Wallace. Carl Wilson on Leonard Cohen. The story behind New York‘s amazing blackout cover. New Janet Malcolm nonfiction in the New York Review of Books. Clearly I Didn’t Think This Through author Anna Goldfarb is profiled in Metro today. Joe Winkler looks at Christopher Hitchens’s Mortality. Proceeds from Dan Deacon’s New York shows later this month will go towards Hurricane Sandy relief. Follow Vol. 1 Brooklyn on Twitter, Facebook, Google + and our Tumblr.
Afternoon Bites: Chris Onstad’s Breakroom Truffles, Judy Blume On Ryan Gosling, Alexander Chee on Gertrude Stein, And More
Afternoon links for February 23, 2012.