“A Ruin Needs Time”: A Between Books Interview With John Wray

In the span of three novels, John Wray has covered an impressive range of historical, stylistic, and emotional ground. He’s equally at home tracking the parallel paths of an unstable teen and the dogged police officer tracking him across contemporary New York (Lowboy) as he is describing an man’s horror, upon returning to his Austrian hometown in the 1930s, to discover widespread acceptance of fascism among old acquaintances (The Right Hand of Sleep). I first met Wray when we read […]

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Afternoon Bites: Guggenheim Fellows, Rebecca Gates Returns, Colson Whitehead & The Fall, And More

Would you like a recap of Jarvis Cocker’s best stage banter from Radio City Music Hall? Well then, here you are. …that’s “Guggenheim Fellow John Wray” to you. (Also, congratulations to Lydia Millet, Gayle Wald, and Donald Ray Pollock, among many others.) More details have emerged on Wastelanders, the upcoming collaboration between Joss Whedon and Warren Ellis. Alan Sepinwall has some thoughts on Lena Dunham’s Girls. Looks like Colson Whitehead is a fan of The Fall. Hey, look! It’s an […]

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Talking Noise Lit With John Wray

By Jason Diamond Last week on The Faster Times, I gave my thoughts on the musical highlights of 2009, and made mention of what I like to call “noise lit,” including writers that are drawn to noise and drone like Blake Butler, Dennis Cooper, and also John Wray’s publicchampioning of Sunn O))).  I’ve long found it interesting that what might be considered ‘unlistenable’ by some is actually influencing some fine writing. So, I decided to bother John Wray.

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Best of 2009: Books

Tobias Carroll’s picks Chronic City by Jonathan Lethem Midnight Picnic by Nick Antosca Scorch Atlas by Blake Butler AM/PM by Amelia Gray Lowboy by John Wray The Other City by Michal Ajvaz Asta in the Wings by Jan Elizabeth Watson Between Jan Elizabeth Watson’s novel of a brother and sister raised in isolation and Colson Whitehead’s Sag Harbor, this was a good year for novels evoking childhood. Both Watson and Whitehead deftly suggest their narrators’ adult destinies with a few […]

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