The Sacred and the Surreal: On Maryse Meijer’s “The Seventh Mansion”

"The Seventh Mansion" cover

Maryse Meijer’s The Seventh Mansion is the type of book that shouldn’t work, but somehow does. In fact, I’d call it one of the most bizarre, brilliant books I’ve read this year, and that’s saying a lot.  This strange tale smashes together the holy and the earthly, the dirty and the sublime, the supernatural and the all-too real, all while exploring what it means to be human in a world that moves farther away from itself, from its roots, every day. 

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“Most of My Work Unsettles Me”: An Interview With Maryse Meijer

Two years ago, the Midwestern book tour I was on with duncan b. barlow concluded on a rainy Chicago night with a reading at Volumes Bookcafe headlined by Maryse Meijer. Hearing Meijer read from her debut collection, Heartbreaker, left me floored; since then, I’ve eagerly read her subsequent books, the novella Northwood and the new collection Rag. Meijer’s fiction is haunting in a host of ways, some of them literal: she brings the reader to the border of the uncanny and primal, while also tapping into something deeply modern and urgent. I spoke with her following the release of her latest book about her short fiction, the role of horror in her work, and titles, among other topics.

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Vol.1 Brooklyn’s Best of 2018: Poetry

2018 brought with it a lot of great poetry. Some revisited older forms or older stories to create something vital and new, while others took bold risks with language in order to illuminate aspects of the present sociopolitical condition. Whether they were causing us to rethink the quotidian or leading us to unexpected places, here are some of our favorite examples of verse that emerged this year.

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