“If Anything, the Film Directs You”: Nicholas Rombes on Making “The Removals”

The Removals, the first film from writer-director Nicholas Rombes, simultaneously occupies a number of bold artistic territories. It’s a speculative work about an underground organization revisiting and re-enacting moments from history to change society to their own end; it’s a paranoid thriller about members of that organization growing disenchanted with it; and it’s about the troubles can come when you attempt to revisit the past. (In this film there are echoes of everything from Charlie Kaufman’s film Synecdoche, New York […]

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Avant-Garde Realism (Redux)

Little did I know, 16 years ago when I wrote an article about the experimental uses of digital cinema, that one day I’d be putting theory to practice in my own film. The Removals—a lo-fi, sci-fi love story produced by the film production wing of Two Dollar Radio—conjures the genre of the paranoid thriller to explore the idea of replication and disruption in the digital age. What I had wondered in that original article at CTheory was this: how is […]

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