The last time we spoke with Stuart Hyatt about his Field Works project, he had recently released an album of immersive music with the sounds of bats at its center. The new Field Works album, Stations, goes to a very different place than that in a very literal sense. For this album, Hyatt drew upon the work of EarthScope, recording the sounds of the planet itself and then bringing in a host of collaborators, including Laaraji and Qasim Naqvi, to transform those sounds into a haunting, gorgeous soundscape. Reached via email, Hyatt discussed how everything came together.
What would you say if I told you that one of the year’s best ambient/drone albums was made from field recordings of bats? That’s the story being Ultrasonic, the 8th album to be released under the Field Works name. Stuart Hyatt, the man behind the project, recorded the sounds made by bats in Indiana. From there, the recordings were used by a group of prodigiously talented musicians — including Kelly Moran, Noveller, Eluvium, and Christina Vantzou — to create a series of stunning ambient soundscapes. I talked with Hyatt via email about the project’s genesis and the permutations that this album underwent en route to its completion.