Michael Zapruder Debuts His New Single “New Quarantine”

Michael Zapruder

We’re pleased to be debuting new music from Michael Zapruder. “New Quarantine” is the new single from Zapruder’s new album Latecomers. You may also know him via his earlier project Pink Thunder, which found him adapting 20 poems by a host of writers into critically acclaimed songs. I spoke with Zapruder about the song’s origins, its unexpected resonance in 2020, and the long process of making Latecomers.

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Pop Songs For an Unpredictable Time: Notes on Jasmine Dreame Wagner’s “Switchblade Moon”

Switchblade Moon cover

I still rent DVDs through the mail. There’s usually a lag time of six-to-eight months between the time I add a movie to my queue and its arrival. I always forget what I’ve requested by that point and get a kick out of the small-scale time travel, the reminder of what I was thinking months prior. This took a wrong turn back in March. The first three movies to arrive during the onset of the Covid quarantine were Soylent Green, The Omega Man, and The Andromeda Strain. 

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The Jodhpur Problem: An Excerpt from Lee Klein’s “Neutral Evil )))”

Neutral Evil cover

What happens when autofiction meets doom metal? That’s the question Lee Klein poses in his new book Neutral Evil ))), inspired by a visit to a Sunn 0))) concert in Philadelphia in early 2017. As the book’s narrator takes in the concert’s atmosphere, he ponders questions of family, safety, and aging — a fascinating glimpse into a particular headspace surrounded by a fascinating sonic space. 

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Revisiting Steve Reich: Erik Hall on His New Recording of “Music for 18 Musicians”

Erik Hall

Erik Hall isn’t 18 musicians, but you could be forgiven for thinking that he is. He’s recorded music as a solo artist and with the group In Tall Buildings; before that, he also had stints in His Name Is Alive and NOMO. For his new album, he opted for a particularly ambitious maneuver: recording Steve Reich’s Music For 18 Musicians. The ensuing record is both a loving version of a minimalist classic and a work that shows the impressive flexibility within Reich’s composition. I talked with Hall about the making of this album and his own musical journey over the years.

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Stuart Hyatt on Turning Bat Sounds into Stunning Ambient Music

Recording bats

What would you say if I told you that one of the year’s best ambient/drone albums was made from field recordings of bats? That’s the story being Ultrasonic, the 8th album to be released under the Field Works name. Stuart Hyatt, the man behind the project, recorded the sounds made by bats in Indiana. From there, the recordings were used by a group of prodigiously talented musicians — including Kelly Moran, Noveller, Eluvium, and Christina Vantzou — to create a series of stunning ambient soundscapes. I talked with Hyatt via email about the project’s genesis and the permutations that this album underwent en route to its completion.

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Ted Hearne on Gentrification, Music, and Collaborating with Saul Williams on “Place”

Ted Hearne

The last time I spoke with Ted Hearne was in 2014; the subject was The Source, his collaboration with Mark Doten inspired by the work of whistleblower Chelsea Manning. Now, Hearne has returned with a new album, Placea collaboration with Saul Williams, in which Hearne addresses questions of gentrification in Brooklyn’s Ft. Greene neighborhood. It’s a work that involves countless vocalists, found audio, and a complex structure; it also involves moments of sublime beauty. I talked with Hearne about the genesis of Place and how he developed the themes contained within it.

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Decoding the Narrative of Billie Eilish’s “When We All Fall Asleep, Where Do We Go?”

album cover_

On January 26th, Billie Eilish and her brother Finneas O’Connell stole the stage at the Grammy awards collecting a total of 5 Grammys, including the most prestigious award of ‘Album of the Year’ for their 2019 album When We All Fall Asleep, Where Do We Go? Billie and Finneas entirely produced and wrote the album (with mixing and mastering by Rob Kinelski and John Greenham). Apart from all of the wonderful accolades, awards, and personal stories behind this masterful album, there’s something completely missing from mainstream praise and reviews of this record: its dense narrative and compelling themes. 

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Seed Triangular: An Interview with Musician, Composer, and Producer Robbie Lee

Robbie Lee

Robbie Lee is an artist who thrives on collaboration. Among his recent partners: Guitarist Mary Halvorson, who won a 2019 MacArthur “Genius Grant,” and composer Lea Bertucci, whose album Resonant Field, named a top Jazz album of 2019 by the New York Times, featured Lee on flute

In the following exchange, which took place over several months via a shared Google document, the multi-instrumentalist, composer, and producer weighs in on David Bowie, his love of duos, NYC’s experimental music scene of the 1990s, and what it means to be a contemporary composer most comfortable in that liminal space between genres. 

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