An Artist’s Death, Told in Fragments: On Max Porter’s “The Death of Francis Bacon”

"The Death of Francis Bacon"

There’s a long literary tradition of longform fiction set against the backdrop of someone on their deathbed. The Death of Ivan Ilyich is one of the lodestars here, for sure; I myself am partial to By Night in Chile for its haunting construction, both Satanic humblebrag and chastened confession. Max Porter’s latest novel, The Death of Francis Bacon, taps into that same dread-inducing momentum — the sense of a protagonist hurtling, depending on your (or their) perspective, into either the great beyond or complete nothingness.

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