“Each of Us Has Our Own Personal Mythology” An Interview With Juliet Escoria

Juliet the Maniac, the third book and first novel from Juliet Escoria, has been earning rave reviews since its release earlier this month. In his review of the book for NPR, Gabino Iglesias noted, “Juliet The Maniac is a heartfelt, raw, powerfully told story about surviving mental illness and learning to cope with inner demons. Escoria is a talented writer who’s not afraid to write her truth, even when it will scrape viciously at the souls of readers.” Robert Lopez spoke with Escoria about the lines between autofiction and memoir, how she developed her prose style, and personal mythologies.

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Where Landscape and Horror Converge: A Review of Ilaria Tuti’s “Flowers Over the Inferno”

Ilaria Tuti’s Flowers Over the Inferno is an action-packed thriller with a unique serial killer and a multilayered, deep, and incredibly entertaining main character battling at its core. Set in a quiet village surrounded by ancient woods under the shadow of the Italian Alps, this novel also possesses a superb sense of place and an atmosphere that places it head and shoulders above most of its contemporaries.

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Six Ridiculous Questions With Michael T. Fournier

The guiding principle of Six Ridiculous Questions is that life is filled with ridiculousness. And questions. That only by giving in to these truths may we hope to slip the surly bonds of reality and attain the higher consciousness we all crave. (Eh, not really, but it sounded good there for a minute.) It’s just. Who knows? The ridiculousness and question bits, I guess. Why six? Assonance, baby, assonance.

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Exploring Nelson Algren’s Literary Legacy: A Review of “Never a Lovely So Real”

The other day at the coffee shop, a young woman asked me what I was reading. When I told her it was a new biography of Nelson Algren, she drew a blank. It wasn’t until I mentioned Algren’s long affair with Simone de Beauvoir that her face lit up with recognition. This woman is well-read and has lived in Chicago a few years, but she’d never heard of arguably the city’s greatest chronicler. And she’s not alone. Though Algren won the very first National Book Award in 1950, and was considered a top tier writer for a decade or so thereafter, he’s rarely mentioned in the same breath as Hemingway or Faulkner anymore. I’m hoping that Colin Asher’s definitive portrait of the man might change that.

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The Rebellious Profanity of Katherine Dunn

How does language speak truth to power? More specifically, how can language be used to rebel against power? The protagonists of Katherine Dunn’s three novels — 1969’s Attic, 1971’s Truck, and 1989’s Geek Love — are all positioned on the outskirts of society, sometimes by choice and sometimes not. (Dunn also wrote extensively about boxing: her 2009 book One Ring Circus collected her nonfiction about the sport, and her unfinished novel The Cut Man bears a title that alludes to the sport.) At the time of her death in 2016, Geek Love had been a cult classic for decades. In a lengthy article exploring its influence for Wired, Caitlin Roper called it “a dazzling oddball masterpiece.” She’s not wrong. It’s a novel that was nominated for both the National Book Award and the Bram Stoker Award, and that juxtaposition speaks volumes about Dunn’s aesthetic even if you haven’t read a word she’s written.

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Occult Influences and Trance States: Janaka Stucky’s Singular Poetry

Janaka Stucky‘s haunting, intense readings are some of the most gripping examples of the form you’re likely to witness. His latest book, Ascend Ascend, is a powerful meditation on death, decay, and rebirth — the result of a composition process that involved trance states. In advance of his New York event with Atlas Obscura on May 11, we chatted with him about the new collection, the ritualistic elements of poetry, and his unique approach to readings.

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Tragedy and Critique: A Review of Laila Lalami’s “The Other Americans”

Moroccan novelist Laila Lalami tackles the big stuff with her novels and characters—justice, race, class, familial identity, and religious sectarianism, among other weighty matters. Don’t even get her started on historical erasure. In her most impressive take on the topic, 2014’s The Moor’s Account (which was a Pulitzer Prize finalist and a Man Booker Prize nominee) she narrated the story of Mustafa ibn Muhammad ibn Abdussalam al-Zamori, a Moroccan slave who traveled with Cabeza de Vaca and is considered the first black explorer of the New World, but who was reduced to a footnote in de Vaca’s writings. Lalami created a narrative and an interior life for al-Zamori in that book, animating him into what can only be his rightful place in history.

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Six Ridiculous Questions: Matthew Norman

The guiding principle of Six Ridiculous Questions is that life is filled with ridiculousness. And questions. That only by giving in to these truths may we hope to slip the surly bonds of reality and attain the higher consciousness we all crave. (Eh, not really, but it sounded good there for a minute.) It’s just. Who knows? The ridiculousness and question bits, I guess. Why six? Assonance, baby, assonance.

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