#tobyreads: Russian Politics and Desolation, and Helen Oyeyemi’s Quiet Masterpiece

Last year, for the music writing book group I run at WORD, we read The Feminist Press’s anthology of writings related to Pussy Riot. It was an interesting glimpse at the group, their origins, and the horrific show trial to which three of its members were subjected. Reading it, I felt as though I’d been given more knowledge, but was also hoping to be taken through the group’s art and criticism in the greater context of Russian society. Enter Masha […]

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Afternoon Bites: Gilbert Hernandez Interviewed, Russians Watching “The Americans,” Spiritualized, and More

Gilbert Hernandez talked to the ComiXologist about his new graphic novel Julio’s Day. The Atlantic Wire’s Spring books preview should help your to-read lists expand in epic fashion. Richard Metzger looks back on David Byrne’s opera The Catherine Wheel. When D & D meets Oblique Strategies… The Men’s Ben Greenberg on the debut from Chelsea Light Moving. Alisa Louise Merchant’s essay “Bleakness. Laughter. Liberation?” is very much worth your time. Masha Gessen is asked about Russian reactions to The Americans. Matthew Perpetua on […]

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Afternoon Bites: Inside “Smells Like Nirvana,” Kermit Oliver, Masha Gessen on Daylight Savings Time, and More

Eric Raymond’s Confessions From a Dark Wood is out now, and has blurbs from Sam Lipsyte and Blake Butler. So that’s promising. This Texas Monthly piece on artist Kermit Oliver is one of the best works of nonfiction you’ll read this year. Masha Gessen on daylight savings time in Russia. Christopher R. Weingarten uncovers the secret history of “Smells Like Nirvana.” The Fanzine talks with Eli Horowitz about The Silent History and his other projects. Jonathan Ames answers 21 questions for New York. At […]

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