The Challenges of Art and Life: An Interview With Nicole Haroutunian

Nicole Haroutunian

Nicole Haroutunian’s new novel, Choose This Now, wrestles with a lot of big themes in the subtlest of ways. This is a book about creative struggles, intimacy, and families both found and biological. Over the course of this book’s timeframe, its characters make decisions that are rewarding and emiently frustrating; they go to bizarre parties and embark on ill-concieved relationships. It’s an immersive work with the ebb and flow of life, and I chatted with its author about the project’s origins and her own experiences while writing it.

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Haunted Histories and Mysterious Islands: Kirsten Bakis on the Origin of “King Nyx”

Kirsten Bakis

I’ve long been on record as an admirer of Kirsten Bakis’s first novel, the haunting Lives of the Monster Dogs. I’ve also long wondered what Bakis would do for an encore, and this year brings an answer with the release of her second novel King Nyx. In this tale, set a century ago, Bakis draws on the lives of Anna and Charles Fort, as Anna recounts a time when the couple was summoned to a mysterious estate in upstate New York. What does this have to do with the bespoke deity of Anna’s youth? Well, you’ll have to read that to find out — but rest assured that the resulting novel is a fascinating story abounding with mysteries, class conflict, and more than a little literary history. I caught up with Bakis to learn more about the book’s genesis

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Punk Hooks and Rare Books: An Interview With SAVAK

SAVAK

Since their formation in 2015, Brooklyn’s SAVAK have been on a tremendous run, releasing album after album of blistering garage-punk at an admirable pace. Their latest album, Flowers of Paradise, is a fantastic addition to their discography, blending a postpunk urgency with the sense of warmth that longtime musical compatriots can summon. I spoke with Sohrab Habibion and Michael Jaworski about the genesis of their new album, the rare book trade, and my inability to identify an EBow.

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Checking In With Lauren Denitzio of Worriers

Worriers

It’s been a busy year and change for Worriers‘ Lauren Denitzio. Their band has released two albums since the beginning of 2023: Warm Blanket and Trust Your Gut. Worriers is now on the road sharing bills with Alkaline Trio and Drug Church, and Denitzio’s excellent newsletter Get It Together is a go-to source for musings on the creative life and terrific musical recommendations. As Worriers makes their way across the country, I checked in with Denitzio about their latest albums, life in California, and tour reading.

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Haunted Places and Haunted Stories: An Interview With Rebecca Turkewitz

Rebecca Turkewitz

Where, exactly, can you find the dividing line between a ghost story and a story about ghosts? In her new collection Here in the Night, Rebecca Turkewitz explores that fascinating boundary. There are moments that stray into the uncanny here, for sure, but Turkewitz also explores the effects of ghost stories and local folklore on her characters, leading to moments that illustrate just how tales of the uncanny can have similar effects to the uncanny itself. I spoke with her about her collection, her own experiences with folktales, and what’s next for her.

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Punk Rock Body Horror: On Alison Rumfitt’s “Brainwyrms”

"Brainwyrms" cover

One of the first books I read in 2023 was Alison Rumfitt’s novel Tell Me I’m Worthless. There’s a small subset of books I’m fond of that seem to follow a traditional narrative path, right up until the point that they don’t. Brian Evenson’s Last Days is one, as is Percival Everett’s Assumption. Rumfitt’s debut fits in here as well: it’s something of a haunted house story, but as the novel continues on towards its conclusion, it got weirder; Rumfitt moved away from the tropes of haunted house narratives to push towards something deeper and scarier about trauma and inheritance.

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Art and Literature In an Endless Cycle: Tomoé Hill on “Songs for Olympia”

Tomoé Hill

There’s a long history of literary works inspired by literary works or works of art. For her new book Songs for Olympia, Tomoé Hill opted to go one layer deeper. Her book opens a dialogue with Michel Leiris’s The Ribbon at Olympia’s Throat, which is itself a response to a Manet painting. That said, a detailed knowledge of Leiris’s book is not necessary for enjoyment of Hill’s’; instead, the earlier work by Leiris and Manet provides Hill with a vantage point from which she can reckon with questions of art, gender, intimacy, and her own history. It’s a mesmerizing work, and I caught up with Hill earlier this year to discuss it in greater detail.

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