Punk Rock Body Horror: On Alison Rumfitt’s “Brainwyrms”

"Brainwyrms" cover

One of the first books I read in 2023 was Alison Rumfitt’s novel Tell Me I’m Worthless. There’s a small subset of books I’m fond of that seem to follow a traditional narrative path, right up until the point that they don’t. Brian Evenson’s Last Days is one, as is Percival Everett’s Assumption. Rumfitt’s debut fits in here as well: it’s something of a haunted house story, but as the novel continues on towards its conclusion, it got weirder; Rumfitt moved away from the tropes of haunted house narratives to push towards something deeper and scarier about trauma and inheritance.

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Books of the Month: February 2024

February 2024 Book recommendations

We’re not going to lie: we’re pretty excited for what February has in store for us, books-wise. (We’d even think this if one of our editors didn’t have a novel due out in the second month of 2024.) This month has it all: new books by longtime favorites, a terrific example of punk lit, and a thoughtful work on the state of labor to cap it all off. Here’s a glimpse of what we’re excited about circa now.

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Six Ridiculous Questions: Graham Rae

Graham Rae

The guiding principle of Six Ridiculous Questions is that life is filled with ridiculousness. And questions. That only by giving in to these truths may we hope to slip the surly bonds of reality and attain the higher consciousness we all crave. (Eh, not really, but it sounded good there for a minute.) It’s just. Who knows? The ridiculousness and question bits, I guess. Why six? Assonance, baby, assonance.

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When Comics and Prose Collide: An Excerpt From Dave Baker’s “Mary Tyler MooreHawk”

Mary Tyler MooreHawk cover

It’s unlike that you’ve ever read a graphic novel quite like Dave Baker’s Mary Tyler MooreHawk before. This sprawling adventure tale is both a heady pulp adventure and a formally inventive work with more layers than you’d expect. (It would fit comfortably beside the work of James Stokoe and Tom Scioli on your shelves.) We’re pleased to present an excerpt from the book, along with Baker’s thoughts on making prose and comics work in harmony.

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VCO: Chapter 5

"VCO" image

Chapter 5

The DMV is a Visual Cult Object to me. 

When stepping from outside into the glass antechamber, one feels they are in a limbo space.

The second set of doors swing open to the waiting area, the catechumen. 

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“Claire & Hank”: An Excerpt From Bradley Sides’s “Crocodile Tears Didn’t Cause the Flood”

"Crocodile Tears Didn’t Cause the Flood"

Today, we’re pleased to present an excerpt from Bradley Sides’s magnificently-titled new collection Crocodile Tears Didn’t Cause the Flood. Alexander Weinstein called the book “a traveling carnival filled with pond monsters, vampire girls, fire-breathing children, and minor apocalypses” — and that certainly has our interest piqued. Read on for a glimpse inside.

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VCO: Chapter 4

"VCO" image

Chapter 4

 On my first day at Van Gogh’s Vase he appears. 

Either there’s some funky stuff in my gum or this is a dream come true. 

I keep looking at the shaved hair around his left ear, his perfectly groomed short beard (likely a Size 1 clipper guard), and try to truly believe, the creator of DPZ, Everhet Byzantine, is my boss now.

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Art and Literature In an Endless Cycle: Tomoé Hill on “Songs for Olympia”

Tomoé Hill

There’s a long history of literary works inspired by literary works or works of art. For her new book Songs for Olympia, Tomoé Hill opted to go one layer deeper. Her book opens a dialogue with Michel Leiris’s The Ribbon at Olympia’s Throat, which is itself a response to a Manet painting. That said, a detailed knowledge of Leiris’s book is not necessary for enjoyment of Hill’s’; instead, the earlier work by Leiris and Manet provides Hill with a vantage point from which she can reckon with questions of art, gender, intimacy, and her own history. It’s a mesmerizing work, and I caught up with Hill earlier this year to discuss it in greater detail.

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