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They Put A Gun In My Face About Poetry: The Liver Mush Interview with Graham Irvin

Graham Irvin

After I finished Graham Irvin’s new book, Liver Mush, I biked to the grocery store to buy some liver mush. In the frozen meat section, there was one solitary block of liver mush left—almost like it was waiting for me. I ate the liver mush on a pillsbury biscuit with American cheese, like Graham suggests in Liver Mush. The liver mush was phenomenal, an unexpected and great discovery. Liver Mush is also phenomenal, also an unexpected and great discovery. Two brand new delights in the course of an afternoon. It made for a good day. And you can discover them, too. They’re waiting for you, too. I had the pleasure of talking with Graham about liver mush and Liver Mush

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An Actual Person in a Concrete Interview Situation: Talking Books With Blake Middleton

"Actual Person" cover

I am an actual person in a concrete historical situation. So are you, and that guy? Over there? Yep. Same. Look at us. Just some actual people in a concrete historical situation. Seems obvious, but, really, I mean, is it? When’s the last time you thought about being an actual person in a concrete historical situation? Actual stuff – life stuff – situated in some broader context. Your birth and death and the stuff in between. That’s all it is, and you’re doing it. Thanks for spending some of it reading this introduction with me. Let me tell you something.

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“Music Felt For Us, Was Ecstatic For Us”: An Interview With Lars Iyer

Lars Iyer

Like a lot of my favorite books, I bought Spurious by Lars Iyer partially due to the cover design – two plastic bags hovering provocatively on the edge of a parking lot (Melville House can really do a good book cover). But, like with all of my favorite books, what was inside the book changed my life. This book (and the rest of the Spurious Trilogy – Exodus and Dogma) oozed a sticky, refreshing style that completely shook me. I quickly became obsessed – with the culmination of the staccato chapters, with the overbearing third-person presence of the shit-talking W., with the unending push behind every idea that propels every image to its bleak, (il)logical extensions. I also loved this book for the unique central characters and their obsessions – two academics in philosophy who acknowledge that “the corpse of the university floats face down in the water”, who are also then “poking it with sticks,” and, of course, who talk unendingly about Kafka and Joy Division.

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Vol.1 Brooklyn’s December 2019 Book Preview

December 2019 book preview

Snow’s on the ground, the winds are chilly, and the holiday season looms. December can be an unexpected month for new books. But there are a host of gems due out in the coming weeks, including a number of great works in translation, some boldly inscribed poetry, and new and unpredictable novels from some of our favorite writers. Here are some December books that caught our eye.

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“I Wanted It To Be Like a Country Song”: An Interview With Noah Cicero

Noah Cicero

Noah Cicero has written several books. I find great comfort in Noah’s ouvre, in the sense that he has never seemed interested in limiting himself to a particular type of story. The Human War was an influential, early-millennial beat-style meditation that unsarcastically grapples with the pointlessness of war, while Go to Work… is basically a political action-thriller, replete with government conspiracies and a firefight. There’s the philosophical discussion of Buddhism in Blood-Soaked Buddha/Hard Earth Pascal. There’s both lost-love poetry (Bipolar Cowboy) and bleak observational poetry (Nature Documentary). There’s a menagerie of stories, snippets, eBooks, collected works, all testaments to Noah boldly exploring new territory without any sense of self-doubt or obligation to construct some kind of “brand.” And so now there’s Give it to the Grand Canyon, which is a deeply personal, plainly written travelogue about living and working in the Grand Canyon National Park. From the casual discussions of how one goes about getting a job there (they will hire anyone) to how one goes about getting to the job there (a lot of driving, no matter where you’re coming from) to how one goes about, well, doing the job there (serving ice cream to disappointed tourists), Noah’s story is a relentlessly realistic collection of vignettes. What I mean is that there are no twists, no manufactured dramas, no heroic deeds, but instead everything – from the unadultered danger and beauty of the canyon itself to the vague interpersonal relationships among the staff – is written as it is experienced, is remarked upon as it happens, is left to fizzle or ferment without any constructed symbolism or structure.

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“It’s Like Getting to Pittsburgh”: An Interview With Bud Smith

About two years ago I left grad school and got a big boy job. And it was as if someone flipped a switch behind the scenes of my life: all of a sudden, I felt free. And for the first time in a long while, I was able to read books. I could read for fun. I could read without having to worry about wasting time, without having to feel guilty about reading for no other reason than to enjoy it. So I bought books, I bought them from all kinds of stores, from websites, from yard sales. It was great, and I was constantly looking for new stuff to read but didn’t know what to look for. Then I realized that back when I did read books – back before grad school – I had briefly touched upon this world of independent literature that felt so wild and free. So I went back to see what was up, to see what I should be reading, and by convoluted paths over recommendations and tracing out who’s friends with who and mapping out which presses put out which books and etc. and so on, I remember at some point just staring at the evocative and bold cover of Double Bird on the Maudlin House website and thinking “I bet this is good.” Then I looked up some of Bud’s writing and decided “ok, yeah, this is good,” and ordered the dang thing.

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“Like a Horizontally Splayed Flying Squirrel in Zero Gravity”: An Interview With Benjamin DeVos

I bought Benjamin DeVos’s Lord of the Game a few months ago for a couple reasons. I mean, it’s got a sick title. It’s got a Sam Pink painting on the cover. And my wife was gonna go into labor at any time, and so I needed a fresh smallie to take with me to the hospital. I never did get a chance to open it up in the hospital (a birth is a very exciting time, you might be surprised to find out), so instead I opted to read it out loud to this new infant daughter of mine during our formative midnight hangout sessions. We both loved it. Well, I loved it. She mostly slept through it. And the same thing with DeVos’s more comedic The Bar is Low and his strange, nihilist, subversive, satirical collection Madness Has a Moment and Then Vanishing Before Returning Again. We had a blast, in our own ways.

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